Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself. Loussier continued this distinguished tradition, graduating at the top of his class…
Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself…
Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself…
Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself…
Pianist/composer Jacques Loussier demonstrated musical ability at an early age, starting to play at the age of ten and entering the Conservatoire National de Musique in Paris at 16. Loussier's main professor there was Yves Nat, who in turn was encouraged by Faure, Saint-Saens, and Debussy as a student himself…
The CD is a return to the Trio’s roots in Bach via a new jazz interpretation of the entire six Brandenburg Concertos, in order. But this time a rather new approach is in the works. As described by Loussier himself: “Whereas my older recordings were about adding to Bach, this record is about reducing his music to its essence, taking the main themes and working with them as any jazz musician might in playing a theme, an improvisation, and a return to the theme.”
Playing the music of Bach in a jazz style seems like heresy to some, like mere silliness to others, and like gimmickry to many more. But for half a century now Jacques Loussier has been making a strong argument in favor of the practice, and although this anniversary recording has something of a valedictory flavor to it, it's hard to imagine that the 75-year-old pianist doesn't intend to keep doing so for as long as he can lift his hands to the keyboard…
Pianist Jacques Loussier has spent much of his career performing Bach melodies with his jazz group. Loussier's Play Bach Trio was quite popular during 1959-1978. After a few years off, he formed a new trio along similar lines in 1985, the group heard on this CD. Although jazz and classical music have been combined together in many different ways through the years, no combo has worked harder at swinging Bach than Loussier's units. The pianist pays respect to Bach's melodies before swinging them and his improvisations are a natural outgrowth of the themes. This CD gives listeners an excellent example of his concept and is a constant delight.
Bach is arguably the greatest composer to have ever lived. He is also arguably the least accessible to those who don't enjoy classical music. His music is very structured and self contained. His music is difficult to phrase and play. His music was considered passé by his death. Bach owes his current popularity in part to composers from more then a century ago who succeeded in a revival of early music in the 19th century…
Pianist Jacques Loussier has certainly had an unusual career, much of it spent performing jazz interpretations of Bach's music. While his original works have been noteworthy, Loussier's most famous projects have been his transformations of Bach's music. In 1997 he tackled Vivaldi's Four Seasons, four concertos that he performed and recorded with his trio. ~ AllMusic