Once a symbol of the Vertigo label's adventurism, Jade Warrior's lack of sales led to their dismissal in 1972, which inevitably resulted in the band's disintegration. However, the Warrior's multi-instrumentalists, Jon Field and Tony Duhig, soldiered on at the urging of Steve Winwood, whose enthusiastic support of the diminished Warrior secured the duo a deal with his label, Island. Floating World was the new-look Jade's debut, a concept album themed around the Japanese philosophy of Ukiyo, with the songs revolving around two interrelated series of compositions…
Jade Warrior is the debut self-titled and self-produced album by Jade Warrior, released in 1971 as part of the progressive rock movement. The album sets the scene for what the majority of the band's albums were to sound like, mixing various ethnic sounds with a progressive and otherworldly sound, as well as sudden changes between slow acoustic guitar melody, to distorted and heavy electric guitar with a faster tempo.
Last Autumn's Dream is the third studio album by British band Jade Warrior. The album, released in 1972, yielded two singles, "A Winter's Tale" and "The Demon Trucker".
Once a symbol of the Vertigo label's adventurism, Jade Warrior's lack of sales led to their dismissal in 1972, which inevitably resulted in the band's disintegration. However, the Warrior's multi-instrumentalists, Jon Field and Tony Duhig, soldiered on at the urging of Steve Winwood, whose enthusiastic support of the diminished Warrior secured the duo a deal with his label, Island. Floating World was the new-look Jade's debut, a concept album themed around the Japanese philosophy of Ukiyo, with the songs revolving around two interrelated series of compositions. It's a complex set, and helpfully this reissue's excellent sleeve notes assist in making sense of it. The compositions may be interlaced, but the album itself is as diverse as any previous Jade offering…
If Jade Warrior's second album has any overwhelming flaw, it is that its predecessor traveled so far off the conventional beaten tracks of early-'70s prog that anything less than absolute reinvention could only be regarded as a rerun of past glories. To write off Released as little more than a slapdash shadow of Jade Warrior, however, is to overlook the leaps and bounds that the band did make…