Jade Sarson

Italian-American pop singer-songwriter Jade Hoffman releases her debut album Elevate Me to Love. The 9-track collection of originals has solidified Hoffman as an up-and-coming artist to watch out for!

Everyone loves a faster workflow, and Jade provides you with a great way to create just that. Learn how to harness the power of the Jade templating language for rapidly producing HTML.

"…Jade Warrior combined Far Eastern and African influences with rock, jazz, blues, refined their music over the years in a top-class way, crossed the borders to classical music, world music, free improvisation, evoked wondrously concentrated, mystical atmospheric images, […] The album was digitally remastered, the sound is convincing, as a bonus there is an alternative version of the song 'Minnamoto's Dream'." (Good Times, June/July 2022)

This short course will teach you the basics of the Jade templating language.

Four CD set. Wind Borne - The Island Albums 1974-1978 features newly remastered versions of Floating World, Waves, Kites, and Way Of The Sun. After releasing a series of albums for Vertigo Records, the original line-up of Jade Warrior split in 1973. Flautist Jon Field and innovative guitarist Tony Duhig decided to continue under the moniker and embarked on composing and recording a series of wonderful albums for Island Records in 1974. Coming to the attention of Island founder Chris Blackwell through a recommendation from Steve Winwood, Island issued Floating World in 1974. Stylistically, Jade Warrior had now evolved into an instrumental entity, pioneering a unique fusion of ethnic Japanese influences and ambient progressive rock which soon became critically acclaimed. The 1975 album Waves took this template still further and featured guest musician Steve Winwood on piano and Moog synthesizer. Kites, issued in 1976, was even more ambitious, featuring a host of guest musicians including Fred Frith of Henry Cow and Clodagh Simmons of Mellow Candle. Jade Warrior's final album for Island Records, Way Of The Sun, was issued in 1978 and was arguably their finest album. An incredibly evocative work, inspired by the mythology of the Incas, the album saw Field and Duhig at the peak of their creative powers.