Jake Scott

Tenor saxophonist Scott Hamilton's debut for Concord alerted the jazz world to the young swing stylist and predated Wynton Marsalis' first record (and the emergence of the Young Lions) by a couple years. Hamilton, who mixed together Zoot Sims and Ben Webster to form his own recognizable tone, already sounded in prime form for this set. Teamed up with trumpeter Bill Berry, pianist Nat Pierce, bassist Monty Budwig, and drummer Jake Hanna, Hamilton essentially launched the revival of mainstream jazz with this record. Highlights include "Indiana," "Stuffy," "Broadway," and "Blue Room," but all eight selections are quite enjoyable.

Jake Jones (whoever knows to whom this name refered to?) was a short-lived American band from St. Louis, Missouri, which put out two albums in 1971, a self-titled one with strong psychedelic and folk leanings, and a second one during the same year, titled ''Different roads'' and being the most progressive of the pair, both were released during the fading days of the American label Kapp Records…

In Great Scott, the Kansas-born mezzo-soprano, one of today’s best-loved classical singers, creates a role conceived specifically with her in mind. The character she plays, Arden Scott, just happens to be an opera star, and she is the lynchpin of what Fred Plotkin of WQXR, the USA’s leading classical music radio station, welcomed as a “deeply moving and musically brilliant work” that “should enter the standard repertory just as Heggie’s two previous masterpieces – Dead Man Walking and Moby-Dick – already have”.

Scott Hamilton - From The Beginning (2002) {2CD Set, Concord Jazz ‎CCD2-2117-2 rec 1977-1978}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 493 Mb | MP3 @320 -> 195 Mb
Full Artwork @ 300 dpi (jpg) -> 29 Mb | 5% repair rar
© 1977-78, 2002 Concord Jazz ‎| CCD2-2117-2
Jazz / Mainstream Jazz / Saxophone

Whoever decided to name '50s-style, small combo jazz "mainstream" did a disservice to saxophonists like Scott Hamilton. The word sounds safe and soulless. And while Hamilton will never be mistaken for John Coltrane, he's no throwback to some fondly remembered (and forgotten) era. From the Beginning combines the oddly titled Scott Hamilton Is a Good Wind Who is Blowing Us No Ill from 1977 and Scott Hamilton, 2 from 1978. Hamilton's first Concord album predated the Young Lions by a couple of years, and must have seemed like a fresh breeze in the midst of the fusion meltdown. Both discs feature small combos with pianist Nat Pierce, bassist Monty Budwig, and drummer Jake Hanna.

Marc Streitenfeld is an interesting composer to look at. He started out as an assistant to Hans Zimmer and served as music editor on many of Hans' scores the past decade. Through Hans is where he met Ridley Scott. After working on 7 films together Hans and Ridley took their separate ways, which some people still wonder about. Honestly, it was most likely a friendly separation than some of the "creative differences" separations you hear about between directors and composers.