Jamar Urna Chahar Tugchi

Iskandar Widjaja just doesn’t line up with the image of a musician on the classical music scene. As the ambassador of a new generation he simply can’t be pigeonholed as representing this or that genre. He connects worlds: as soloist with internationally renowned ensembles – from the Deutsches Symphonie-Orchester Berlin and the Munich, Warsaw and Shanghai Philharmonics to the Hong Kong Sinfonietta – and equally as a performer at mass-media events like Miss World or Miss Earth, the Milan EXPO or Paris Fashion Week. He has long been a TV star in East Asia with regular television appearances, commercial advertising contracts and “trending topic” status on Twitter. In his new project Mercy, Iskandar Widjaja presents a broad musical spectrum with a closely interwoven thematic structure, summing up his achievement to date and opening a new phase of his life.

Star countertenor Philippe Jaroussky continues his exploration of operatic settings of the Orpheus myth with the most famous of the many operas inspired by the story of the Greek poet who searches for his dead wife in the Underworld: Gluck's Orfeo ed Euridice. It contains one of the world's best-loved operatic arias, Orfeo's restrained, but moving lament, 'Che farò senza Euridice'.

During the fall of 2013, they first met at November Music Festival and since then there has been a successful collaboration and a deep friendship between the Iranian kamancheh grand master Kayhan Kalhor and the three Dutch jazz musicians of the Rembrandt Frerichs Trio.

This (mostly) live album from a pair of Iranian sisters is an absolute melodic feast. Sampling the range of music – from the classical modes of "Saghi Nameh" to the opening lush Kurdish theme of "Mina" – is a joy, and nowhere more than on "Dorna," where their voices shine, largely unaccompanied, on a more contemporary piece that manages to sound timeless. There are some fascinating little diversions, as when the lullaby "Gole Laleh" morphs into the spiritual "She's Got the Whole World in Her Hands" (note the gender change!) sung softly by guitarist Knut Reiersrud, who also brings a lot to this CD instrumentally. Apart from the lovingly sinuous voices, what impresses most is the rich, loving variety of sensual and exotic melodies filling the disc. It's close to a sensory overload – but stops short, just at the perfect point.