James Carter celebrated 2000 by putting out two vastly different albums at the same time, an amazing concession from a major label for a jazz artist who doesn't sell in Kenny G-like proportions. Chasin' the Gypsy, as you might guess, is an homage to Django Reinhardt, whose music Carter used to dig on Detroit radio when he was a teenager, but Carter doesn't take the predictable reverent path in paying his respects. He rummages through his closet and pulls out a rarely used bass saxophone on three cuts - the bumpy sounds are often comic yet a comfortable fit for his antic style - and even tries out an F mezzo sax on the exotically relaxed "Oriental Shuffle." Back on tenor, Carter's slippery playing often doesn't hesitate to approach the outside; he keeps his sense of humor and his individual quirks intact…
On August 30, saxophone master James Carter will release his Blue Note Records debut James Carter Organ Trio: Live From Newport Jazz, a thrilling live performance of Carter’s imaginative soul jazz reinvention of Django Reinhardt that was captured at the 2018 Newport Jazz Festival.
Following up his 2000 tribute to guitarist Django Reinhardt, Chasin' the Gypsy, saxophonist James Carter pays homage to iconic jazz singer Billie Holiday on Gardenias for Lady Day. Perhaps never before has the jazz iconoclast balanced so perfectly his "big top" avant-garde leanings with his more pinstriped traditionalist aesthetic. This is a beautiful album that revels as much in classic melody as it does in Carter's most torrid saxophone "skronk." Although the album largely succeeds on Carter's virtuosic performance, it gains most of its character from the deft and unpredictable orchestral arrangements of Greg Cohen and fellow Detroiter Cassius Richmond. In particular, Richmond brings a cinematic quality to the album with his treatments of "Sunset," "I Wonder Where Our Love Is Gone," and "Gloria" that breathe and swell, rubbing dramatically against Carter's muscular sound…
Between 1995 and 2004, Detroit saxophonist James Carter released several conceptual discs: a salute to Django Reinhardt (Chasin' the Gypsy), electric-era Miles Davis (Layin' in the Cut), jazz ballads (Real Quiet Storm), and a lush Billie Holiday tribute (Gardenias for Lady Day). With the release of each disc, the unavoidable question remained: would Carter ever put out another straight-ahead session in the vein of his early-'90s recordings JC on the Set and Jurassic Classics? Happily, Live at Baker's Keyboard Lounge makes up for lost time. Carter and an amazing array of musicians took flight for three nights in June 2001 at Baker's in Detroit, featuring guest appearances by David Murray and Johnny Griffin alongside fellow Motor City natives Franz Jackson, Kenny Cox, Dwight Adams, Larry Smith, and Gerard Gibbs.