James Fillis

With the confusing plethora of Elmore James discs out on the market, this is truly the place to start, featuring the best of his work culled from several labels. Highlights include James' original recording of "Dust My Broom," "It Hurts Me Too," "T.V. Mama" (with Elmore backing Big Joe Turner), and the title track, one of the best slow blues ever created. Slide guitar doesn't get much better than this, making this particular compilation not only a perfect introduction to Elmore's music, but an essential piece for any blues collection.

Etta James was one of the greatest R&B singers of all time, with an incredible soulful voice and an amazing ability to interpret a song and old-fashioned yet timeless melodies. She sang with unmatched emotional hunger and a pain that can chill the listener. This quintessential release includes Etta James’ first two albums, which also happen to be two of her best: At Last ! (1960), and The Second Time Around (1961), both originally released by the Chess Records’ subsidiary Argo label. These two rhythm & blues-meets-pop-soul style masterpieces have been remastered and packaged together in this very special collector’s edition, which also includes 7 bonus tracks. Contained here is the cream of the crop from Etta’s early years. Without a doubt, this is the material upon which her kingdom was built.

Leonard Chess dispatched Etta James to Muscle Shoals in 1967, and the move paid off with one of her best and most soul-searing Cadet albums. Produced by Rick Hall, the resultant album boasted a relentlessly driving title cut, the moving soul ballad "I'd Rather Go Blind," and sizzling covers of Otis Redding's "Security" and Jimmy Hughes' "Don't Lose Your Good Thing," and a pair of fine Don Covay copyrights. The skin-tight session aces at Fame Studios really did themselves proud behind Miss Peaches.

One of the great blues albums of the early '80s, Classified captures the legendary New Orleans pianist James Booker not long before his premature death at the age of 43 on November 8, 1983. Recorded in a series of sometimes problematic sessions in 1982 – producer Scott Billington details them in his terrific liner notes on the 2013 reissue of the record, which is remixed and expanded – Classified appeared just a few months before Booker's death, so it's hard not to read it as something of a final statement.