James Henry The Winter Visitor

James Galway is universally regarded as the supreme interpreter of the classical flute repertoire as well as a consummate entertainer whose appeal crosses all musical boundaries. Now for the first time ever, all of Sir James's recordings for RCA Red Seal are being issued together in a single box set.
With The Man with the Golden Flute performing the whole spectrum of classics from Baroque to modern, including virtually every important concerto and other solo music composed for his instrument, plus flute transcriptions from every corner of the repertoire and the globe the range and comprehensiveness of this set is staggering. Sir James s list of collaborators is a musical Who's Who in its own right: names like Martha Argerich, Cleo Laine, Andr Previn, Neville Marriner, Lorin Maazel and Michael Tilson Thomas as well as Galway s wife and fellow flautist Jeanne Galway, the Canadian Brass, Tokyo String Quartet and, needless to say, The Chieftains.

James Galway is universally regarded as the supreme interpreter of the classical flute repertoire as well as a consummate entertainer whose appeal crosses all musical boundaries. Now for the first time ever, all of Sir James's recordings for RCA Red Seal are being issued together in a single box set.
With The Man with the Golden Flute performing the whole spectrum of classics from Baroque to modern, including virtually every important concerto and other solo music composed for his instrument, plus flute transcriptions from every corner of the repertoire and the globe the range and comprehensiveness of this set is staggering. Sir James s list of collaborators is a musical Who's Who in its own right: names like Martha Argerich, Cleo Laine, Andr Previn, Neville Marriner, Lorin Maazel and Michael Tilson Thomas as well as Galway s wife and fellow flautist Jeanne Galway, the Canadian Brass, Tokyo String Quartet and, needless to say, The Chieftains.

James Bowman must surely be the finest vocal interpreter of Purcell today. His grasp of sentiment, his sense of timing, and his enunciation, are unsurpassed…

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation (closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.”

Art is often informed by the life experiences of the artist, and what happens to them can impact their work in any number of ways. In November 2018, the singer and songwriter Joe Henry was diagnosed with prostate cancer, and as he wrestled with the prospect of mortality and the physically and emotionally taxing process of treatment, he practiced his own form of self-care – he wrote songs, a bunch of them, and then set about recording them at the home studio of a friend and collaborator, recording engineer S. Husky Höskulds. The product of these sessions, 2019's The Gospel According to Water, in many respects sounds like an ordinary Joe Henry album, with his rich voice and smartly crafted lyrics front and center, but the feel is decidedly different.