James Last Melodien Der Welt (1996) [3x CD Reissue] {restored}

5CD Box Set The Anniversary Edition by James Last was released in 2009 by Universal Music GmbH. James Last was a German composer and big band leader of the James Last Orchestra. Initially a jazz bassist, his trademark "happy music" made his numerous albums best-sellers in Germany and the United Kingdom, with 65 of his albums reaching the charts in the UK alone. Last is reported to have sold an estimated 200 million albums worldwide in his lifetime, of which 80 million were sold by 1973 - and won numerous awards including 200 gold and 14 platinum discs in Germany, the International MIDEM Prize at MIDEM in 1969, and West Germany's highest civilian award, the Bundesverdienstkreuz in 1978. Last's trademark sound employed big band arrangements of well-known tunes with a jaunty dance beat, often heavy on bass and brass.

This isn't James Galway's most virtuosic CD, but it is still absolutely beautiful and magic…about .1% percent of the time it's a little dull, but the other 99.9% is truly beautiful. I think my favorite thing about this CD is its utter peacefulness and the fluttery, angelic sound of the flute. The Irish classics on this CD don't just have flute accompaniment; there are many other instruments that combine to really make this an "Irish" album. In particular, I really enjoyed the drums, the pipes (can't get enough of them!!!) and the alto flute (slightly more mellow-sounding than the usual flute).

James Last, also known as Hansi, was a German composer and big band leader of the James Last Orchestra. Initially a jazz bassist (Last won the award for "best bassist" in Germany in each of the years 1950–1952), his trademark "happy music" made his numerous albums best-sellers in Germany and the United Kingdom, with 65 of his albums reaching the charts in the UK alone…

Digitally remastered edition of this holiday release from the German composer and band leader. On this album, Last leads the band through 10 different holiday-themed medleys plus two additional tracks.

Every man's death diminishes us all, but the death of a man so close to completing his greatest achievement and the summation of his life's work diminishes us all greatly – very, very greatly. When Emil Gilels died in 1985, he had completed recordings of most but not all of Beethoven's piano sonatas, released here in a nine-disc set. What's here is unimaginably good: superlative recordings of 27 of the 32 canonical sonatas, including the "Pathétique," "Moonlight," "Waldstein," "Appassionata," "Les Adieux," and the majestic "Hammerklavier," plus the two early "Electoral" Sonatas and the mighty Eroica Variations. What's missing is unimaginably priceless: five of the canonical sonatas, including the first and – horror vacui – the last. But still, for what there is, we must be grateful. Beyond all argument one of the great pianists of the twentieth century, Gilels the Soviet super virtuoso had slowly mellowed and ripened over his long career, and when he began recording the sonatas in 1972, his interpretations had matured and deepened while his superlative technique remained gloriously intact straight through to the last recordings of his final year.

James Levine's is a more recent entry in the realm of Dutchman recordings, and sonically the recording is absolutely stunning, with great attention having been paid to the recording process. The casting for this Metropolitan Opera effort is also uniformly first rate, even in the less grateful roles of the hapless Erik, sung by the impressive Ben Heppner, and the scolding nurse, Mary, sung by Birgitta Svendén. Morris's brooding Dutchman is hard to match on any other available recording, and Deborah Voigt is a ravishing Senta. The chorus work is quite good, though not quite as rich as that heard in the Solti/Chicago recording. Overall, Levine does a workmanlike job of conducting these impressive forces, though there are passages in which his tempi seem to drag. This recording is a must for anyone who needs a completely up to date version of Wagner's first major opera.

Carlos Perón was the founder of globally renowned cult act Yello, initiator of the world’s first ever video clip, ‘The Evening’s Young’ from the group’s second album “Claro Que Si”. Following the fifth Yello album “You Gotta Say Yes To Another Excess”, which was released as the world’s first ever Compact Disc in 1983, Carlos left the group to embark on an ambitious solo career.
Originally released in 1984, this album is the first collaboration between Carlos Perón and Swiss actor Peter Ehrlich from the Viennese Burg theatre. The seven part Genesis, impressively narrated by Ehrlich, was composed by Perón as an oratorio for Yamaha CX 5 Computer, Kurzweil 250 and Oberheim Xpander.

Tales of Captain Black first appeared in 1979 on the Artist House label in America. It was a label set up for the purpose of allowing visionary artists to do exactly what they wanted to do. They had issued a couple of records by Ornette Coleman previously, so it only made sense to issue one by his then guitarist, James Blood Ulmer. With Coleman on alto, his son Denardo Coleman on drums, and bassist Jamaladeen Tacuma on bass, Ornette's harmolodic theory of musical composition and improvisation (whereby on a scale of whole tones, every person in the ensemble could solo at one time and stay in this new harmony) was going to get its first test outside of his own recordings…