Jamie O'connell

The Ghosts of Cannae is at once a book about a specific battle (the massive defeat of a huge but inexperienced Roman army in southern Italy by Hannibal in 216 BC) and also an interpretation of the larger course of the Second Punic War, as well as an assessment of the historical impact of Rome's storied rivalry with Carthage. What ties the book together is the fate of the survivors, their treatment by the authorities in Rome, and ultimately their vindication nearly two decades later, when they defeated Hannibal at the decisive battle of Zama in North Africa. With an unforgettable cast of heroes and villains, The Ghosts of Cannae is history at its finest.

Although he had initially declined the commission, Delius was persuaded to write the incidental music for Hassan by the actor and director Basil Dean, in July 1920, for performances he was planning for His Majesty’s Theatre, London, the following year.

Finally Jamie Lewis presents his debut artist album "Flashback", a three CD retrospective featuring thirty productions and remixes from his illustrious career which started two decades ago. All his essential classic productions are here such as "The light" and "Be thankful" featuring Michelle Weeks, "For you" featuring Michael Watford or "Unity". You also get a selection of his precious remixes including Tom & Joyce "Queixume", HiFi Mike "Stereo flavas", Cerrone "Hooked on you" and "You are the one" or DJ Meme Orchestra "Any love" to name just a few. But this album wouldn't be complete with some of his upcoming works such as "Believe" which features vocals from Lisa Millett & Tanja Dankner.

Multi platinum-selling musician and multi-instrumentalist Jamie Cullum today announces The Pianoman At Christmas – The Complete Edition. Due for release on November 19 via Island Records. The deluxe album completes last year’s critically acclaimed hit album The Pianoman At Christmas Part 1, with its Second Part – featuring 11 covers of classic Christmas songs, as well as two original songs, including lead single “Christmas Don’t Let Me Down”, out now.

Dragon’s Domain Records presents the original motion picture soundtrack to GIRL AT THE WINDOW, featuring music composed by Jamie Blanks for the new thriller written by Terence Hammond (LAST DANCE) and Nicolette Minster, directed by Mark Hatley (PATRICK: EVIL AWAKENS, ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS), produced by Antony I. Ginnane (PATRICK THE SURVIVOR, THE LIGHTHORSEMEN), Phil Hunt, Compton Ross and Sabella Sugar, starring Radha Mitchell (PITCH BLACK, SILENT HILL, VISITORS), Ella Newton, Jackson Gallagher, Vince Colosimo, Sharon Johal and Nathan Hill.

Jamie Oliver returns to Food Network in Jamie At Home. He's back doing what he does best – cooking at home with simple, accessible ingredients, including fruits and vegetables fresh from his backyard garden. In each episode, Jamie focuses on a specific ingredient and shows viewers several completely different recipes. Whether whipping up a delicious spicy pork goulash, foraging for mushrooms to create a wild mushroom and venison stroganoff or harvesting pumpkins for a mouth-watering, warm winter salad of roast duck and pumpkin, Jamie demonstrates that using fresh ingredients can be simple and oh-so-satisfying.

Now with an incredible catalogue of original music Jamie has created this wonderful album, hand picked by Jamie himself. It shows a versatility beyond boundaries. Jamie’s roots are in Blues and Jazz, and Classical music. Starting out as a classically trained pianist and clarinet player Jamie took up the style of improvised music infused with the sounds of Fusion, Latin, Rock, Jazz Rock, Funk, R’n’B, Gospel, and so much of that sweet seventies and eighties music. Playing in bands and at jams trained him in improvising and it shows in the music.

“The whole story takes place in the Miller’s imagination, cut off from the thoughts and actions of those around him, with the singer becoming the protagonist of a quasi-operatic monodrama. Jamie W. Hall and Paul Plummer give us a deeply understanding account of this earliest and most influential of Romantic song cycles” (Dr. John Bentley, Trinity College London).