After shocking the R&B world with 1986's Control – a gutsy, risk-taking triumph that was a radical departure from her first two albums – Michael and Jermaine Jackson's younger sister reached an even higher artistic plateau with the conceptual Rhythm Nation 1814. Once again, she enlists the help of Time graduates Jimmy Jam and Terry Lewis (one of the more soulful production/songwriting teams of 1980s and '90s R&B) with wildly successful results. In 1989, protest songs were common in rap but rare in R&B – Janet Jackson, following rap's lead, dares to address social and political topics on "The Knowledge," the disturbing "State of the World," and the poignant ballad "Living in a World" (which decries the reality of children being exposed to violence). Jackson's voice is wafer-thin, and she doesn't have much of a range – but she definitely has lots of soul and spirit and uses it to maximum advantage on those gems as well as nonpolitical pieces ranging from the Prince-influenced funk/pop of "Miss You Much" and "Alright" to the caressing, silky ballads "Someday Is Tonight," "Alone," and "Come Back to Me" to the pop/rock smoker "Black Cat." For those purchasing their first Janet Jackson release, Rhythm Nation would be an even wiser investment than Control – and that's saying a lot.
Design of a Decade: 1986-1996 is a misleading title. The bulk of Janet Jackson's greatest-hits collection concentrates on Control and Rhythm Nation 1814, simply by contractual necessity. That is far from a fatal flaw. The hits from those two albums were state-of-the-art dance-pop productions at the time of their release, filled with bottomless beats and memorable, catchy hooks. None of the songs has lost any of its impact, from the funk of "Miss You Much" and "What Have You Done for Me Lately," to the ballads "Let's Wait Awhile" and "Come Back to Me." In addition to all 13 Top 40 hits from Control and Rhythm Nation – all but one went into the Top Five – Design of a Decade includes the biggest and best hit from janet., the sultry "That's the Way Love Goes," and two new songs, "Runaway" and "Twenty Foreplay." It's a credit to Janet that the two new numbers feel like genuine hits, not tacked-on filler, and help make the album a compulsively listenable greatest-hits collection.
All four of Janet Jackson's albums released during the 2000s debuted near or at the top of the Billboard 200, as ensured by a legion of devotees. They lacked the staying power of the Control-to-Velvet Rope run, however, and quickly slipped out of view. Jackson left two labels during the decade and dealt with personal matters that included the death of brother Michael. Seven years after Discipline, Jackson returns recharged, and on a BMG-supported label she established, with Jimmy Jam and Terry Lewis – the demigods central to her best work – as well as a small crew of additional associates, as her collaborators. The three singles that immediately preceded Unbreakable were clearly chosen for their range.
Janet Damita Jo Jackson (born May 16, 1966) is an American singer, songwriter, actress, dancer and record producer. A prominent figure in popular culture, she is noted for her sonically innovative, socially conscious and sexually provocative records, and elaborate stage shows.