Janos Starker Sacd

Heard here in a composer-conducted disc-mate to the première recording of Hovhaness’s early Cello Concerto (1936), City of Light (1970) has some lovely ideas, like the surprisingly sweet and simple string melody in the middle of the ‘Angel of Light’ movement (beginning at 1'30"), and the third movement, Allegretto grazioso, which sounds like a minuet in oriental garb. The outer movements, however, outstay their welcome.

Cellist János Starker with the complete concertante recordings he made under the baton of Walter Susskind, a conductor praised for his abilities as an accompanist and with whom Starker shared close aesthetics conceptions. Their refined, chamber rendition of masterpieces of the repertoire by Dvořák, Dohnányi or Prokofiev is a superb token of Starker’s deep inwardness.

Cellist János Starker with the complete concertante recordings he made under the baton of Walter Susskind, a conductor praised for his abilities as an accompanist and with whom Starker shared close aesthetics conceptions. Their refined, chamber rendition of masterpieces of the repertoire by Dvořák, Dohnányi or Prokofiev is a superb token of Starker’s deep inwardness.

Cellist János Starker with the complete concertante recordings he made under the baton of Walter Susskind, a conductor praised for his abilities as an accompanist and with whom Starker shared close aesthetics conceptions. Their refined, chamber rendition of masterpieces of the repertoire by Dvořák, Dohnányi or Prokofiev is a superb token of Starker’s deep inwardness.

Hungarian Cellist János Starker trained at the Franz Liszt Academy of Budapest, here the practice of chamber music was heavily encouraged. He became a highly sought-after chamber partner, leading to these wonderful renditions of Brahms sonatas with pianist György Sebők.

Hungarian Cellist János Starker trained at the Franz Liszt Academy of Budapest, here the practice of chamber music was heavily encouraged. He became a highly sought-after chamber partner, leading to these wonderful renditions of Brahms sonatas with pianist György Sebők.

Le grand Janos Starker a enregistré les Suites de Bach à plusieurs reprises. Rien d'étonnant à cela puisqu'elles sont le bréviaire de tout violoncelliste. A chaque fois son engagement est total et sa réalisation à l'image de son art sobre, à la limite de l'ascétisme. Nul débordement romantique sous son archet, mais une lecture littérale avec beaucoup de respect voire de distance. Une option radicale qui peut étonner mais que nous trouvons tout à fait fascinante.

Hungarian Cellist János Starker trained at the Franz Liszt Academy of Budapest, here the practice of chamber music was heavily encouraged. He became a highly sought-after chamber partner, leading to these wonderful renditions of Brahms sonatas with pianist György Sebők.