Jansons Pärt

Mariss Jansons - Tchaikovsky: Pique Dame - The Queen Of Spades (2015) [Official Digital Download]

Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks - Tchaikovsky: Pique Dame (2015)
FLAC (tracks) 24-bit/44,1 kHz | Time - 168:49 minutes | 1,59 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

In its history as a concert orchestra, the Symphonieorchester des Bayerischen Rundfunks has also devoted itself on numerous occasions to opera, under such eminent conductors as Rafael Kubelik and Leonard Bernstein. Chief conductor Mariss Jansons also maintains the tradition, for example with concert performances of Russian operas such as "Eugene Onegin". BR-KLASSIK now presents the 2014 live recording in Munich's Philharmonie im Gasteig of the semi-staged performance of Tchaikovsky's late masterpiece "The Queen of Spades". With great connoisseurship, Mariss Jansons has brought together a group of singers for this performance in original Russian who are all native speakers of the language, and very familiar with the work. They include Misha Didyk as Hermann, Tatiana Serjan as Lisa, and Alexey Markov as Prince Yeletsky.
Mariss Jansons - Dmitri Shostakovich: The Complete Symphonies (2006) (10CD Box Set)

Mariss Jansons - Dmitri Shostakovich: The Complete Symphonies (2006) (10CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Front, back covers | 2.6 Gb | MP3 CBR 320kbps | 12:02:09 | 1.61 Gb
Classical | Label: EMI / 0946 3 65300 2 4

To celebrate the 100th birthday of the great Soviet composer Dmitry Shostakovich, Mariss Jansons assembled eight of the world's finest orchestras to determine which is the best of his 15 symphonies. There is no doubt that Jansons is the man for the job. Trained under Mravinsky and long steeped in Shostakovich's music, Jansons brings a lifetimes' love and intimacy to his interpretations - not to mention a terrific baton technique and an unfailing sense of tempo.
Mariss Jansons, Oslo Philharmonic Orchestra - Arthur Honegger: Symphonies Nos. 2 & 3 "Ligurgique"; Pacific 231 (1994)

Mariss Jansons, Oslo Philharmonic Orchestra - Arthur Honegger: Symphonies Nos. 2 & 3 "Ligurgique"; Pacific 231 (1994)
EAC | FLAC | Image (Cue & Log) ~ 241 Mb | Total time: 57:55 | Scans included
Classical | Label: EMI Classics | 5 55122 2 | Recorded: 1993

The Oslo Philharmonic is a world-class orchestra, and the playing in these two Honegger symphonies is superlative. Mariss Jansons conducts with real concentration and control; his attention to matters of detail and balance serves the longer-term expressive and symphonic concerns, while the recording allows the full range of the music to be experienced. Both these great symphonies date from the war years, the Second from the dark days when Honegger lived through the occupation of Paris, the Third from 1945. In his Second Symphony the string orchestra is joined in the closing bars by a single trumpet sounding a chorale of hope; and in Jansons’s performance this image emerges naturally from the resolution of the conflicts and the strenuous rhythmic activity which have come before.
Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks - Shostakovich: Symphony No.10 (2019)

Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks - Shostakovich: Symphony No.10 (2019)
EAC | FLAC | Image (Cue & Log) ~ 214 Mb | Total time: 53:48 | Scans included
Classical | Label: BR Klassik ‎| # 900185 | Recorded: 2010

Mariss Jansons considers Dmitri Shostakovich to be one of the most serious and sincere composers ever, and finds the fifteen symphonies in particular to be deeply moving and captivating. He sees their music as bearing shattering testimony to a traumatic era of political darkness, while remaining a timeless expression of existential human feeling and experience. Over a period of seventeen years, Mariss Jansons has recorded all the Shostakovich symphonies, on each occasion together with the orchestra he was artistically associated with at the time. Six of the performances were with the Symphonieorchester des Bayerischen Rundfunks.
Bavarian Radio Symphony Orchestra & Choir, Mariss Jansons - Antonin Dvorak: Stabat Mater (2015)

Antonín Dvořák - Stabat Mater (2015)
Erin Wall, soprano; Mihoko Fujimura, mezzo; Christian Elsner, tenor; Liang Li, bass
Chor und Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons, conductor

EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included
Genre: Classical, Choral | Label: BR Klassik | # 900142 | 01:17:55

Antonín Dvorák's Stabat Mater, Op. 58, written in the aftermath of the deaths of three of his children, is a sober and powerful work, inexplicably neglected and unlike any other work of choral music from the 19th century. Perhaps most performances don't capture its full weight, but this live recording from the Bavarian Radio Symphony Orchestra under Mariss Jansons, does so. There are many deep pleasures here. The orchestra's choir is extraordinary: rich yet without a hint of wobble and utterly clear in its sense of the text. Jansons keeps things at a deliberate pace that lets the music breathe and the currents of personal experience rise to the surface. The soloists, none terribly well known, are fine in their individual numbers, but absolutely transcendent in ensembles, nowhere more so that in the sublime "Quando corpus morietur" finale (track 10); there are a couple of other strong recordings of this work, but it seems likely that no one has ever matched this conclusion. The live recording from the Herkulessaal in Munich is impressively transparent and faithful to the spontaneity of the event. A superb Dvorák release.
Leif Ove Andsnes, Berliner Philharmoniker, Mariss Jansons - Grieg & Schumann: Piano Concertos (2003)

Leif Ove Andsnes, Berliner Philharmoniker, Mariss Jansons - Grieg & Schumann: Piano Concertos (2003)
EAC | APE (image+.cue, log) | Covers Included | 01:11:00 | 221 MB
Genre: Classical | Label: EMI Classics | Catalog: 5575622

Many great pianists have already recorded this now-traditional coupling. Having proven himself to belong in the company of the greats, Andsnes now gets his chance. He has a decided viewpoint on this music, stressing the lyrical elements with some gorgeous tone and phrasing, yet capturing plenty of drive and excitement when required.
Wolfgang Rihm - Requiem-Strophen (Anna Prohaska, Mojca Erdmann, Hanno Müller-Brachmann; Mariss Jansons) 2017 [HDTV 720p]

Wolfgang Rihm - Requiem-Strophen (Anna Prohaska, Mojca Erdmann, Hanno Müller-Brachmann; Mariss Jansons) 2017 [HDTV 720p]
AVC, 1280x720p (16:9), 11.0 mbps, 50 fps | AC3 448 Kbps, 5ch | 01:34:29 | 8.1 GB
Contemporary Classical, Choral, Vocal | BR HD | HDTV->TS

Aufzeichnung der Uraufführung eines neuen Werks von Wolfgang Rihm, das im Auftrag der musica viva des Bayerischen Rundfunks entstand.

Arvo Pärt's Tabula Rasa (Oxford Keynotes)  eBooks & eLearning

Posted by IrGens at Oct. 23, 2021
Arvo Pärt's Tabula Rasa (Oxford Keynotes)

Arvo Pärt's Tabula Rasa (Oxford Keynotes) by Kevin C. Karnes
English | October 25, 2017 | ISBN: 0190468971, 019046898X | EPUB/PDF | 152 pages | 1.3/8.4 MB
Kaspars Putniņš, Estonian Philharmonic Chamber Choir - Schnittke: Psalms of Repentance; Pärt: Magnificat & Nunc Dimitti (2017)

Kaspars Putniņš, Estonian Philharmonic Chamber Choir - Schnittke: Psalms of Repentance; Pärt: Magnificat & Nunc Dimitti (2017)
EAC | FLAC | Image (Cue & Log) ~ 242 Mb | Total time: 59:51 | Scans included
Classical | Label: BIS | BIS-2292 SACD | Recorded: 2017

Alfred Schnittke and Arvo Pärt lived through times of remarkable change in the last decades of the Soviet Union. From the 1970s, state restrictions on religion were gradually relaxed and this was reflected in the arts and especially in music. Schnittke’s adoption of Christianity was triggered by the death of his mother in 1972, and culminated in his later conversion to Catholicism. Pärt was from a nominally Lutheran background in Estonia, but embraced the Orthodox faith in the 1970s, following intensive study of liturgical music. Both composers began to incorporate religious themes into their work, moving away from the modernist abstraction that had characterized their early careers.
Diana Damrau, Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks - Richard Strauss: Vier Letzte Lieder; Lieder (2020)

Diana Damrau, Helmut Deutsch, Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks - Richard Strauss: Vier Letzte Lieder; Lieder (2020)
EAC | FLAC | Image (Cue & Log) ~ 274 Mb | Total time: 73:21 | Scans included
Classical | Label: Erato ‎| # 0190295303464 | Recorded: 2019

For me, Strauss is one of the greatest composers," Diana Damrau has said. "The way he handles the soprano voice is a joy. And to be able to sing his music with my voice feels like coming home." The centrepiece of this album of Strauss songs is the sublime Vier letzte Lieder, in which Damrau - born and trained in Bavaria - joins forces with the Bavarian Radio Symphony Orchestra and it's long-standing Chief Conductor Mariss Jansons. Her partner in a tempting and diverse selection of songs with piano is Helmut Deutsch. "Not only is Strauss's music gorgeous," says Damrau, "there's the way he combines words and notes - and the psychology.