We Are the Champions: Final Live in Japan is a live concert video of English rock band Queen's performance at the Yoyogi National Gymnasium, Tokyo on 11 May 1985 as part of the Japanese leg of The Works Tour. The film's title is slightly inaccurate, as Queen actually performed two more shows in Japan (in Nagoya on 13 May, and in Osaka on the 15th). The 90-minute film is not the full concert, leaving out Brian May's guitar solo and Dragon Attack. The video is also edited for time by cutting away setup waits between songs. Only officially released in Japan, it first appeared as a video release in 1992, then as a laserdisc and VHS release, before a DVD release in 2004 with new artwork.
We Are the Champions: Final Live in Japan is a live concert video of English rock band Queen's performance at the Yoyogi National Gymnasium, Tokyo on 11 May 1985 as part of the Japanese leg of The Works Tour…
Never before issued concert of Dr John live in the 80s. Fantastic recording and great versions of many classic songs. These recordings have been stored away in the US until now.
Joe Hisaishi started to show his interest in minimal music when he was a student at Kunitachi College of Music, and started his career as a comtemporary music composer. Presentation of MKWAJU in 1981 and the release of his first album “Information”in the following year was the kickoff of his career as a solo artist.Starting with Nausicaa of the Valley of the Wind (1984), Hisaishi has produced music for 10 Hayao Miyazaki films. He also composed the music for HANA-BI directed by Takeshi Kitano, Departures directed by Yojiro Takita, Villain directed by Sang-il Lee, The Tale of Princess Kaguya directed by Isao Takahata, What A Wonderful Familly!series directed by Yoji Yamada.
Three Blind Mice Supreme Collection 1500 Series. This CD reissue of a 1977 date by Yoshio Otomo's fine quartet was his second as a leader where he had picked his band from among Japan's finest players. Otomo is an alto player from the Jackie McLean school of tone and the Art Pepper institute for improvisation. In other words, his tone has an edge, but he always phrases and improvises melodically. With Tsuyoshi Yamamoto leading the rhythm section, the other two members, Tamiko Kawabata on bass and Arihide Kurata on drums, had to be ever watchful and vigilant that these proceedings didn't escape them altogether.
Peter Frampton is the eleventh studio album by English singer-songwriter Peter Frampton. Released in 1994, the album, along with three unreleased tracks from 1992's compilation album, Shine On - A Collection, were the artist's only studio releases of the 1990s. The album also features one of the last recordings made by Peter's former bandmate Steve Marriott on "Out of the Blue".
Toni Braxton went through a lot in the years separating her star-making Toni Braxton and her 2000 comeback The Heat. Yes, she became a star, but she also went through a painful bankruptcy that delayed her sequel for years. Fortunately, you wouldn't be able to tell that there was so much behind-the-scenes drama from The Heat – it's a confident, assured, sexy effort that reaffirms Braxton's status as one of the finest contemporary mainstream soul singers. She may not be as street-smart as Mary J. Blige, nor does she push the boundaries of the genre the way TLC does, but she has a full, rich voice that instantly lends her songs a sense of maturity and sensuality, especially since she never, ever oversings or misjudges her material.
In 1997, Joe Lynn Turner released Under Cover, a collection of his favorite hard-rock classics. It was such a success that he followed it two years later with the appropriately-titled Under Cover 2. Turner has surrounded himself with first-rate musicians – Vernon Reid, Al Pitrelli, Jeff Golub, Greg Smith – and has expanded his musical outreach, taking on such numbers as "Wishing Well" and "The Race is On," along with such album-rock favorites as "Helter Skelter," "Waiting for a Girl Like You," "The Boys Are Back in Town," "Born to Be Wild," "Fool for Your Lovin" and "Mississippi Queen."