Japanese　rock

Mickey Curtis was born of English parents in Tokyo, Japan in 1938. After the end of The World War II he lived by singing in the Occupation Forces or Camps, and as a result he was approved as a rockabilly singer. Although he had been an active pop singer and a frontman of two chorus-pop outfits named 'City Crows' and 'Vanguards' in mid 60s, he was awakened to rock suddenly and finally formed Samurai (The Samurais in their early days) in 1967. During the first two years Samurai made a lot of gigs and released two albums - "Tenor Sax Of Love" (1968; as The Samurais) and "Samurai" (1970) - in Europe. In early 1969 their soundscape was completely shifted to progressive rock, and we can easily realize the fact especially in their eponymous album…

Tomoyasu Hotei, known as HOTEI (‘hoe-tay”), is an acclaimed Japanese guitarist, songwriter, composer, performer and record producer, who currently resides in London. HOTEI has sold more than 40 million records in a 35 year career to date, and is best known internationally for the song “Battle Without Honor or Humanity”, which was made famous by its inclusion in Quentin Tarantino’s “Kill Bill” movie. HOTEI began his career in 1981, as co-founder, guitarist and principal songwriter of legendary Japanese rock band BOOWY, (“boy”), who enjoyed phenomenal success as one of Japan’s most popular and revered bands…

BLACK PAGE were formed in the mid 1980s as a Japanese rock quartet by Bunmei OGAWA (keyboards), Itsufumi OGAWA (guitars), Kozo SUGANUMA (drums), and Tsuneo KOMINE (bass) - already all of them had been musically professional. Regardless of their sense of humour cultivated in Osaka, they had played lots of gigs with their astonishing technique - featuring Itsufumi's complex guitar play much influenced by Alan Holdsworth, Bunmei's Emerson-ish thrilling keyboard explosion, aggressive drumming by Kozo called 'Tekazu-Oh' (in English, The King Of Full Speed … sorry no appropriate expression here), and Tsuneo's strictly precise bass-quake. In 1986 BLACK PAGE released their one and only album 'Open The Next Page', in that their terrific technical approaches could be remarkably approved by progressive freaks all around the world, but sad to say, they were disbanded soon after that.

Japanese rock audiences always seemed to have a thing for melodic rock radio bands from the U.S. – Mr. Big, Ratt, and Cheap Trick reigned supreme in the land of the rising sun at various points. Another you could add to the list was Night Ranger. When the band came out of retirement and decided to fire up their engines once more, Japanese dates were set in support of their 1997 release, Neverland…

Eye of the Storm is the ninth studio album by Japanese rock band One Ok Rock. It was released on February 13, 2019 in Japan through A-Sketch, and on February 15, 2019 in other countries through Fueled by Ramen. The album marked a shift in their sound from the alternative rock and emo sounds of their previous albums to pop and electronic music. Three singles, "Change", "Stand Out Fit In", and "Wasted Nights" have been released in support of the album.

Hawkwind's fifth studio album found the band enjoying a rare oasis of stability after the multitudinous personnel shifts of the past five years. Only the recruitment of a second drummer, Alan Powell, disturbed the equanimity of the lineup that created the previous year's Hall of the Mountain Grill, although it would soon be time to change again. By the end of the year, bassist Lemmy had departed, vocalist Robert Calvert had rejoined, and the group's career-long relationship with United Artists would be over. In the meantime, Warrior on the Edge of Time ensured that it was brainstorming business as usual. Decorated with a magnificent sleeve that unfolded into the shape of a shield, Warrior on the Edge of Time delivered some of Hawkwind's best-loved future showstoppers - Simon House's far-reaching "Spiral Galaxy 28948"…

This album, cut live at London's Queen Elizabeth Hall in July of 1970, was the first Strawbs album to be released in the United States. It didn't do much in the U.S., but it did chart in England, and the original concert also got Rick Wakeman his first front-page coverage in the British music press, owing to his bravura performance on the solo piano spot, "Temperament for a Mind." The group is trying really hard here to make the jump from folk to folk-rock. They still play a lot of acoustic music, and some of it is surprisingly diverse, but this is a fairly successful album bridging the gap between the acoustic Strawbs combo of their first incarnation and the harder, more strident folk-rock stylings that followed on From the Witchwood, with hints of progressive leanings.