Music From Memory are excited to announce a special compilation that they’ve been working on for some time now; MFM053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history.
Emy Jackson (エミー・ジャクソン) was born in Essex, England as Emy Eaton. As a teenager in Yokohama she still couldn’t read Japanese well, but her ability to speak both English and Japanese fluently landed her a job as a youth DJ for the Good Hit Parade on Radio Kanto. In her notes to the excellent compilation Nippon Girls: Japanese Pop, Beat & Bossa Nova 1966-1970 Sheila Burgel writes: Her DJ career was cut short when her colleague Reiko Yukawa found Jackson singing “You Are My Sunshine” whilst strumming the guitar and sent word to A&R man Akira Izumi at Columbia Records. Akira insisted that Jackson break with the cover-pops tradition and tackle original songs written by Japanese songwriters in her native language of English.
Duty is the third studio album by Japanese recording artist Ayumi Hamasaki. It was released on September 27, 2000 by Avex Trax. Upon the album's release, it was met with favourable reviews from music critics. Critics highlight individual songs as stand out tracks, and found the album a memorable effort within the Japanese pop genre. Duty became Hamasaki's third studio album to reach the top spot on Japan's Oricon Albums Chart. The album has sold over three million units in Japan, making this her best selling studio album as of today. Five singles were released from the album. Two of the singles, "Seasons" and "Surreal", topped Japan's Oricon Singles Chart, while the former sold over 1.3 million units in Japan.
Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.
Following the highly acclaimed Volume I, dig further into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!