Love You Live is a double live album by The Rolling Stones, released in 1977. It is drawn from Tour of the Americas shows in the US in the summer of 1975, Tour of Europe shows in 1976 and performances from the El Mocambo nightclub concert venue in Toronto in 1977. It is the band's third official full-length live release and is dedicated to the memory of audio engineer Keith Harwood, who died in a drug-induced car accident shortly before the album's release. In 1998, Love You Live was remastered and reissued by Virgin Records, and in 2009, was re-released with an updated remastering by Universal Records.
"Love Etc." is a song by English synth-pop duo Pet Shop Boys from their tenth studio album, Yes (2009). It was released on 16 March 2009 as the album's lead single.
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour…
The Singles Collection, Vol. 2 contains CD replicas of the 13 singles Queen released between 1979 and 1984, a five-year span when the band was one of the biggest acts in the world…
Even before their first session together, Barbra Streisand and collaborator Diana Krall designed Love Is the Answer as a deeply emotional record: "each song an exploration concerning matters of the heart." And with the arrangements of maestro Johnny Mandel simply drawing occasional shading around Streisand's expressive voice – and often leaving her voice as the only instrument – the album goes well beyond the usual saloon-song tropes to become a heart-wrenching experience with virtually every song. Additionally, although much was made of the collaboration, Krall's piano stays in the background, and Streisand's is the only voice heard.