On Keith Jarrett's first recording with his "European" quartet - Jan Garbarek (sax), Palle Danielsson (bass), Jon Christensen (drums) - he stakes out somewhat less abrasive territory than that which his "American" foursome was exploring at this time. Garbarek sports a neutral, vibratoless tone that occasionally reaches an emotional climax; the rhythm section is supportive and just loose enough. The record operates at its strongest level when Jarrett locks the quartet into his winning gospel mode on "'Long as You Know You're Living Yours" and the tense drive of "Spiral Dance"; the reflective numbers are less compelling. Still, this album successfully bucked the powerful electric trends of its time and holds up well today.
The spine on the CD cites Keith Jarrett as the recording artist, but many regard this as a Jan Garbarek album. Jarrett was the non-Scandinavian in a superb quartet that comprised Garbarek (saxophones), Pelle Danielson (bass) and Jon Christensen (drums). Garbarek and Jarrett constantly interplay, offering melancholy, romance, sadness and emotional, musical bliss on 'Spiral Dance' and 'Blossom', and manage to groove along with the out-of-character 'Long As You Know You're Living Yours'. One of the finest moments from ECM's exceptional and now sizeable catalogue, perhaps Jarrett and Garbarek need to work together sporadically in order to spark and recharge each other.
Through an exploration of his life and work, and close encounters with the man himself, this documentary offers and exceptional opportunity to examine the contrasting worlds of jazz and classical music. Great archival material is interwoven with original and richly detailed filmed interview with Keith, musicians with whom he's collaborated over the years, family members, tour managers, and other close musical and recording associates: Manfred Eicher, Gary Peacock, Jack DeJohnette, Steve Cloud, Scott Jarrett, George Avakian, Charles Lloyd, Gary Burton, Miles Davis, Toshinari Koinuma, Chick Corea, Charlie Haden, Dewey Redman, Rose Anne Jarrett, Jan Garbarek, John Christensen.
Through an exploration of his life and work, and close encounters with the man himself, this documentary offers and exceptional opportunity to examine the contrasting worlds of jazz and classical music. Great archival material is interwoven with original and richly detailed filmed interview with Keith, musicians with whom he's collaborated over the years, family members, tour managers, and other close musical and recording associates: Manfred Eicher, Gary Peacock, Jack DeJohnette, Steve Cloud, Scott Jarrett, George Avakian, Charles Lloyd, Gary Burton, Miles Davis, Toshinari Koinuma, Chick Corea, Charlie Haden, Dewey Redman, Rose Anne Jarrett, Jan Garbarek, John Christensen.
In this in-depth portrait of one the world's superstars of jazz, pianist Keith Jarrett talks the range of his music, the importance of improvisation, the great artists he has worked with, and about the highs and lows of his life. Further insights are provided by fellow musicians, family members and other musical associates. Incorporating recordings and rare archive footage of concerts dating back to the 1960s and including such greats as Miles Davis and Charles Lloyd, this first-ever major documentary has been made with the full cooperation of Keith Jarrett himself.
It is very much out of character for the prolific Keith Jarrett and his producer Manfred Eicher to hold anything back, yet they've done it here, releasing these live tapes of Jarrett's European quartet ten years after they were recorded. Presumably, they did it in order not to distract attention from Nude Ants, which was recorded a week after these concerts, but that never stopped them before from just piling on more discs. In any case, these Tokyo recordings were too good to hide; the quartet had reached an interactive creative high around this time, often burning at the rarified level that Nude Ants reached. Jarrett is both lyrically effusive and able to ignite his European colleagues into giving him more swinging support than on earlier sessions. In particular, the title track has a lot of the exploratory fervor of "New Dance" from Nude Ants, and "Late Night Willie" gets down deep into the Jarrett gospel feeling.
It is very much out of character for the prolific Keith Jarrett and his producer Manfred Eicher to hold anything back, yet they've done it here, releasing these live tapes of Jarrett's European quartet ten years after they were recorded. Presumably, they did it in order not to distract attention from Nude Ants, which was recorded a week after these concerts, but that never stopped them before from just piling on more discs. In any case, these Tokyo recordings were too good to hide; the quartet had reached an interactive creative high around this time, often burning at the rarified level that Nude Ants reached.
Pianist, composer, and bandleader Keith Jarrett is one of the most prolific, innovative, and iconoclastic musicians to emerge from the late 20th century. As a pianist (though that is by no means the only instrument he plays) he literally changed the conversation in jazz by introducing an entirely new aesthetic regarding solo improvisation in concert. Though capable of playing in a wide variety of styles, Jarrett is deeply grounded in the jazz tradition.
One of the jazz world's most unique and influential pianists since the 1960's, Keith Jarrett is known for his breathtaking solos and stylistic diversity. Live At Open Theater East showcases Jarrett's magic fingers as they interpret a number of classic jazz standards. Keith Jarrett Trio - Live At Open Theater East movie Backed by talented jazz stars Gary Peacock and Jack DeJohnette, Jarrett's music is as beautiful and inspiring as the setting-an illuminated outdoor ampitheater.