The ensemble of the Instant Composers Pool, or ICP, improvises for 45 years now on the highest level. "These guys can swing like madmen and then all of a sudden play the most sensitive ballads" according to trumpetplayer Dave Douglas.This is really an improvisational monster with ten heads!
For their second and, apparently, final album, the group of downtown New York City musicians who had come together under the banner of the New York Composers Orchestra branched out a bit from performing their own compositions in the attempt to construct a kind of repertoire of large ensemble music from various contemporary composers…
Centrediscs issues its first jazz compact disc. This issue in the Canadian Composers Portraits series features the life and music of legendary Canadian jazz musician and composer Phil Nimmons. Recorded live in Toronto at the Montreal Bistro, the Dave McMurdo Jazz Orchestra performs hot new sessions of many of Phil’s classic works.
Blue Engine Records proudly releases Freedom, Justice, and Hope, the live recording of Jazz at Lincoln Center’s multidisciplinary concert that contextualizes jazz within Black Americans’ pursuit of equality. Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis in creative collaboration with social justice activist and founder of The Equal Justice Initiative Bryan Stevenson, the recording features new arrangements of some of the most important protest songs in jazz history and new works by featured guest artists Endea Owens and Josh Evans.
Since Duke Ellington left behind a vast recorded legacy, later interpretations always are compared against them. Yet these symphonic treatments of four separate Ellington works are fundamentally different, with the emphasis less on soloists than the full orchestra. Conductor Maurice Peress condensed "Black, Brown and Beige" into a suite of three sections excerpted from the original extended work, though the mixing of this performance is atrocious. "Three Black Kings" was conceived as a ballet late in Ellington's life with the intention of having Luther Henderson orchestrate it, but the bandleader never recorded it prior to his death in 1974…