Jazz Vinyl Rip

Jazz is the seventh studio album by British rock band Queen, released in November 1978. The album's varying musical styles were alternately praised and criticised. The album made it to number six on the U.S. Billboard 200. Roy Thomas Baker temporarily reunited with Queen and became their producer for this album. It was 3 years since he co-produced Queen's 1975 album A Night at the Opera. But this album also was the last he co-produced for the band.

Minoru Muraoka (Japanese: 村岡福夫, born Muraoka Fukuo; 1924 in Miyakonojo – January 2, 2014) was a popular Japanese shakuhachi player. Playing in a jazz fusion style, Muraoka released many albums, both as a solo artist and with several groups, including Zen, the New Dimension Group and the Minoru Muraoka Orchestra…

As a first, this time around the individual tracks go less by titles than by explanatory cues, for in the first, “Bridging,” we find connections already being made between disparate continents. Its guitar-like exuberance and melodic percussion (courtesy of Alain Joule) skirt arco territories toward stillness. “The Flow” brings about a sense of fluidity through electronic whispers, Joule’s vivid comments accentuating the bass’s inner core and painting its outer skin with observations. Phillips elicits a range of avian effects, from twittering concealed in foliage to lanky elegance of cranes and waterfowl, both hunting and in the rapture of a mating dance. “Ripples Edge” does indeed trace the water’s rim with its opening harmonics and navigates surface tensions like a water skater.

From the moment Malia lets out her first notes, everything feels special, like one has been connected to a voice from the world of spirits. From Boris Blank's first notes, one knows one is in for a smooth, but wild, cosmic ride. The music hums, weaves, and echoes in and out of Malia's lyrics, which toy playfully with the otherworldly atmosphere of Boris' soundscape…