Jazz Vinyl Rip

Illinois Jacquet - Birthday Party (1975) {1999 Groove Note 180g} 24-bit/96kHz Vinyl Rip plus Redbook CD Version

Illinois Jacquet - Birthday Party (with 45RPM Bonus Disc)
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
821 MB (24/96) + 237 MB (CD) + 330 MB (Bonus) | RAR 5% recovery | DR Analysis | Jazz | 1975
Groove Note GRV1003-1 and GRV1003-45 (1999)
180g RTI Pressing mastered by Bernie Grundman

was originally released in 1975 on Elec Records and by the Jacquet Record Co. as JRC-11434. It is undoubtedly one of the finest Illinois Jacquet records that has ever been produced.

Stan Getz, Charlie Byrd - Jazz Samba (1962) 24-bit/96kHz Vinyl Rip  Vinyl & HR

Posted by son-of-albion at Feb. 6, 2012
Stan Getz, Charlie Byrd - Jazz Samba (1962) 24-bit/96kHz Vinyl Rip

Stan Getz, Charlie Byrd - Jazz Samba (1962)
Vinyl rip @ 24/96 | FLAC | Artwork | 713mb
FilePost, Rapidshare | Jazz | 1963 UK stereo LP | Verve SVLP. 9013

Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that's as subtly advanced – in harmony and rhythm – as it is beautiful.
Marvin Holmes & Justice - Summer Of '73 (vinyl rip) (1973) {Brown Door} **[RE-UP]**

Marvin Holmes & Justice - Summer Of '73 (vinyl rip) (1973) {Brown Door}
MP3 CBR 320kbps | RAR | 77 mb
Genre: R&B, soul, soul jazz

Summer Of '73 is the 1973 debut album by Bay Area soul/jazz band Marvin Holmes & Justice, whose music is in the vein of Tower Of Power. This was released by Brown Door.
Bohren & Der Club Of Gore - Sunset Mission (2000) [Vinyl Rip 16/44 & mp3-320 + DVD] Re-up

Bohren & Der Club Of Gore - Sunset Mission (2000)
Vinyl Rip 16/44 | Flac(Image + Cue) > 312 Mb
MP3 CBR 320Kbps > 165 Mb | Artwork(jpg) > 50 Mb
DVD-5: NTSC 4:3 (720x480) VBR | LPCM, 2 ch, 24 bit, 96 kHz > 2.57 Gb
2016 | PIASD5013LP | Funeral Jazz, Ambient, Doom Jazz

The music that Bohren makes has fallen under the heavy metal/doom rubric, but this is both inaccurate and unfair to the band and its music. While the former members of hardcore legends 7 Inch Boots, Chronical Diarrhoea, and Macabre Farmhouse may have once played fast and heavy, on Sunset Mission they completely drop the metal overtones that appeared on Gore Motel and stand resolutely in the late-night jazz-noir camp…
Grant Green - Live at the Lighthouse (Original US, 2 LP) Vinyl rip in 24 Bit/96 Khz + CD-format

Grant Green - Live at the Lighthouse (1972)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 1,5 Gb, 472 Mb | 5% RAR Recovery
Styles: Soul-Jazz, Smooth Jazz, Jazz-Funk | Filesonic + Wupload
Blue Note Records BN-LA037-G2

Some of Grant Green's hottest moments as a jazz-funk bandleader came on his live records of the era, which were filled with extended, smoking grooves and gritty ensemble interplay. Live at the Lighthouse makes a fine companion piece to the excellent Alive!, though there are some subtle differences which give the album its own distinct flavor.

Harold McNair - The Fence (B&C 1970) 24-bit/96kHz Vinyl Rip  Vinyl & HR

Posted by son-of-albion at June 8, 2011
Harold McNair - The Fence (B&C 1970) 24-bit/96kHz Vinyl Rip

Harold McNair - The Fence (1970)
Vinyl rip @ 24/96 | FLAC | Artwork | 1009Mb
Rapidshare, Hotfile | Jazz | 1970 UK LP | B&C CAS 1016

Flute and sax player Harold McNair is best known to pop and rock fans for his work as a session man on numerous Donovan recordings. However, he did come from the world of jazz, and it's not a surprise to find that this 1970 album (released shortly before his death) is very much an instrumental jazz recording. At the same time, it's not wholly devoid of influence from pop, rock, folk, and blues, particularly as some of the players will be recognizable to many rock fans.
Bill Evans Trio - Waltz for Debby (2010) {Analogue Productions 45rpm 180g} 24-bit/96kHz Vinyl Rip plus Redbook CD Version

Bill Evans Trio - Waltz for Debby
Part of Bill Evans Riverside Recordings Box Set

Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
804 MB (24/96) + 239 MB (CD) | RAR 5% recovery | DR Analysis | Jazz | 1961
Analogue Productions ~ APJ-018 (2010)
45rpm Double LP mastered by Kevin Gray ~ Pressed in Germany

is an album by American jazz pianist Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian, originally released in 1961.
Dexter Gordon - One Flight Up (Cisco/Blue Note) Vinyl rip in 24 Bit/96 Khz + CD-format

Dexter Gordon - One Flight Up (1964)
Vinyl rip in 24-bit/96kHz –> 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 814 Mb, 238 Mb | 5% RAR Recovery
Jazz, Hard Bop | Filesonic + FilePost
Cisco/Blue Note CLP 7051/BLP 84176 (2007) | Mastered by Kevin Gray and Robert Pincus @ AcousTech

When he expatriated to Scandinavia just before this session in Paris was recorded, Dexter Gordon said he was liberated in many ways, as a jazz musician and as a human being. This is reflected in the lengthy track on this album, a testament to that newly found freedom.
Bill Evans Trio - Sunday at the Village Vanguard (2010) {Analogue Productions 45rpm 180g} 24-bit/96kHz Vinyl Rip + CD Version

Bill Evans Trio - Sunday at the Village Vanguard
Part of Bill Evans Riverside Recordings Box Set

Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
909 MB (24/96) + 274 MB (CD) | RAR 5% recovery | DR Analysis | Jazz | 1961
Analogue Productions ~ APJ-018 (2010)
45rpm Double LP mastered by Kevin Gray ~ Pressed in Germany

is a 1961 album by jazz pianist and composer Bill Evans. The album is routinely ranked as one of the best live jazz recordings of all time.

Manu Dibango - O Boso (1972) 24-bit/96kHz Vinyl Rip  Vinyl & HR

Posted by son-of-albion at March 2, 2013
Manu Dibango - O Boso (1972) 24-bit/96kHz Vinyl Rip

Manu Dibango - O Boso (1972)
Vinyl rip @ 24/96 | FLAC | Artwork | 840mb
FilePost, FileFactory | African Jazz, Funk | 1973 UK LP | London SH 8451

Dibango is Cameroon’s, and perhaps Africa’s, best-known jazz saxophonist. Dibango recorded his first album, Manu Dibango, in 1968, followed by O Boso (1971) and Soma Loba (1972). Informed by jazz and R&B, all three albums were essentially in the same urgent – at times fantastically raucous – makossa mould, which Dibango successfully introduced to the international marketplace.