On this disc, Jean Guillou teams up with Edo DeWaart and the San Francisco Symphony for a lush performance of Camille Saint-Saens Symphony No. 3, popularly known as the Organ Symphony. This is a lush performance of the Organ Symphony with spot-on tempi, great orchestral balance, and unsurpassed balance between organ and orchestra. This symphony has one long melodic line after another, and DeWaart keeps a long view that prevents any sense of meandering. The organ is stunningly recorded. Brass blaze with glory. Strings are lush. Timpani are extremely well-defined. The clarity of the recording provides an excellent window into finer details. It is difficult to imagine how anything could have been improved upon. The disc is filled out with a strong performance of Widor's Allegro from his Symphony No. 6. This account of the Organ Symphony has everything going for it. There are no obvious weaknesses. If you have excellent subwoofers, they will get the workout of their life. Very Highly Recommended!
French composer and pianist Camille Saint-Saens (1835-1921) wrote five symphonies; however, only one of them, the Third “Organ” Symphony, became at all popular. Even so, its popularity is so immense, it doesn’t matter that the others have found relatively little favor. They’re still interesting, but quite overshadowed by their big brother. It’s good to have them all together in one package if for no other reason than curiosity’s sake. Who knows; a person familiar only with the Third might soon find a new favorite among the others.
To celebrate the inauguration of the newly restored former organ of the Palais du Trocadéro and Palais de Chaillot in Paris, the Orchestre National de Lyon and their organist-in-residence, Vincent Warnier, present two major works for organ and orchestra by Camille Saint-Saëns. Both are historically linked with the great Cavaillé-Coll organs, and are performed with an arrangement for solo organ of his famous Danse macabre.
There is an enormous amount to admire in Munch’s reading of Saint-Saëns’ ‘Organ’ symphony, right from the glowing strings of the opening through to the truly superbly articulated first-movement climax. Munch gets real delicacy from his Bostonians in the Poco adagio, and the organ’s entry in the finale is certainly highly impressive. Perhaps the Scherzo could be more on-the-ball, though. This remains one of the top recommendations for this piece.
The prospect of a little-known Saint-Saëns orchestral work might not set the heart racing, but just wait until you hear ‘La foi’. Ample amends for a century’s unaccountable neglect are made with this magnificent new recording—so much more than a prelude to the ‘organ’ symphony.
Les Siècles is one of France's finest early music ensembles, and its work in repertoire from the Baroque era to the Romantic period is fascinating for its precision, attention to historical details, and most of all, commitment to original instrumentation.
The prospect of a little-known Saint-Saëns orchestral work might not set the heart racing, but just wait until you hear ‘La foi’. Ample amends for a century’s unaccountable neglect are made with this magnificent new recording—so much more than a prelude to the ‘organ’ symphony.