Jean Sibelius Vecsey

Two classic recordings by Karajan while he was in London as the imposed guest of Walter Legge, director of the Philharmonia Orchestra. The two symphonies form a lavish but unusual combination – Symphony no.2, the most popular of the seven created the composer of Valse Triste, and his curious Symphony no.4, a violent, arid, anti- Malherian dissertation infused with doubt and melancholy due to its baleful (augmented fourth) tritone interval, the hitherto spurned diabolus in musica. Two paradoxal masterworks.

Under the dynamic direction of Music Director Michael Stern, The Kansas City Symphony covers itself in glory with incidental music for The Tempest by Sir Arthur Sullivan and Jean Sibelius. This is the first high-resolution digital recording of the Sullivan (of Gilbert & Sullivan fame), and a masterful performance of the colorful Sibelius suites, including the seldom-heard Prelude, which depicts the Shakespearean tempest in all its fury.

Jean-Baptiste Doulcet showcases three fascinating facets of Nordic piano music, from the epic Romanticism of Edvard Grieg (Ballade) and his incursion into neo-classicism (Holberg Suite), to the remarkable purity of Jean Sibelius’s Six Impromptus and ‘The Trees’, and the fierce modernism of Carl Nielsen’s Three Pieces op.59. Three contrasting visions of authentic music of the North.

Mezzo-soprano Marianne Beate Kielland is famous for her strong stage presence and musical integrity. Gramophone Magazine writes about her: The mezzo-soprano is quite outstanding: strong, firm, sensitive in modulations, imaginative in her treatment of words, with a voice pure in quality, wide in range and unfalteringly true in intonation.

During this 150th anniversary year of Jean Sibelius, his music is being performed and discussed more widely than ever. As might be expected, the Lahti Symphony Orchestra, noted for its numerous and often revelatory Sibelius recordings, is planning its own homage: all seven symphonies will be performed at the 2015 edition of the orchestra's annual Sibelius Festival. With principal conductor Okko Kamu the Lahti SO has also prepared a special birthday present for their great compatriot. Recorded between 2012 and 2014 this new anniversary cycle is released as a boxed set of three SACDs with a surround sound option, and is accompanied by an ample booklet with informative notes by Andrew Barnett, author of a Sibelius biography. Needless to say, Kamu has conducted these works numerous times since then, in Finland and abroad, but has never before put his name to a complete cycle on disc.

After a series of symphonic recordings, one of the greatest musicians of our time completes his love of Jean Sibelius with solo performances of the composer's intimate piano pieces. Vladimir Ashkenazy recorded these works at Jarvenpaa Hall - which has the best acoustics in Finland - and at Ainola, the composer's own home. For "Valse triste", one of the most popular Sibelius pieces, Ashkenazy recorded the composer's transcription twice, first at Jarvenpaa, and then at Ainola using the composer's piano.

Following his Alpha recording of sonatas by Prokofiev, Ravel and Strauss, the violinist Tobias Feldmann now turns to the concerto form, performing the two major works of the Finnish repertoire for the instrument: the violin concertos of Jean Sibelius and Einojuhani Rautavaara. Premiered in Helsinki in 1904, the Sibelius Concerto proved to be exceptionally difficult technically for the soloist.

Some 150 years ago what is sometimes called ‘The Great Migration’ of Finns to the United States began. Many of the Finns settled in the Mid-West, and especially in the so-called ‘Finn Hook’, consisting of parts of Minnesota, Michigan and Wisconsin. To celebrate this, the Minnesota Orchestra under its Finnish music director Osmo Vänskä commissioned the composer Olli Kortekangas to compose a work on the theme of migration, of a scale and nature suitable for performance alongside Jean Sibelius’s great Kullervo.