M.U. falls into the classic example of a compilation that is bound to irritate the dedicated yet will satisfy the needs of less devoted listeners. Since Jethro Tull is a prog rock band that made cohesive concept albums, there will always be an audience that will believe it is impossible to assemble a coherent anthology, but the fact of the matter is, the group had a lot of songs that were staples on album rock radio and M.U. simply compiles those tracks for listeners who don't want to invest in a series of concept records…
Minstrel in the Gallery was Tull's most artistically successful and elaborately produced album since Thick as a Brick and harkened back to that album with the inclusion of a 17-minute extended piece ("Baker Street Muse"). Although English folk elements abound, this is really a hard rock showcase on a par with – and perhaps even more aggressive than – anything on Aqualung. The title track is a superb showcase for the group, freely mixing folk melodies, lilting flute passages, and archaic, pre-Elizabethan feel, and the fiercest electric rock in the group's history – parts of it do recall phrases from A Passion Play, but all of it is more successful than anything on War Child.
Far and away the prettiest record Jethro Tull released at least since Thick as a Brick and a special treat for anyone with a fondness for the group's more folk-oriented material. Ian Anderson had moved to the countryside sometime earlier, and it showed in his choice of source material…
This outstanding live soundboard recording of JETHRO TULL - STOCKHOLM ’69 THE MASTER REEL CD 1969 is from January 09, 1969. It was recorded at the Konserthuset in Stockholm, Sweden. Japanese pressing silver CD-R that comes packaged in a Mini-LP sleeve.
EU-only two CD collection from the Classic Rock icons led by Ian Anderson. 40 tracks including 'Aqualung', 'Thick As a Brick' (Edit #1), 'Locomotive Breath', 'Bungle in the Jungle' and many more.
Guitarist and singer-songwriter Adelmo Fornaciari, better known by the moniker Zucchero, built a following in his native Italy with his unique brand of adult contemporary pop–a following that expanded internationally as his career progressed. Zucchero's sound blends radio-ready melodies with equal doses of rock, blues, and a light, often mellow feel on his ballads and love songs. ALL THE BEST is a re-release of the artist's 1996 hits collection. Geared specifically to American audiences, this release of ALL THE BEST includes some of Zucchero's best-loved tunes (such as "Senza Una Donna" and "Wonderful Life"), and wonderful guest performances from the likes of Paul Young, Miles Davis, and Luciano Pavarotti.
Listen to this collection, put together to capitalize on the explosive growth in the group's audience after Aqualung, and it's easy to understand just how fine a group Jethro Tull was in the early '70s. Most of the songs, apart from a few heavily played album tracks ("Song for Jeffrey," etc.) and a pair of live tracks from a 1970 Carnegie Hall show, came off of singles and EPs that, apart from the title song, were scarcely known in America, and it's all so solid that it needs no apology or explanation. Not only was Ian Anderson writing solid songs every time out, but the group's rhythm section was about the best in progressive rock's pop division. Along with any of the group's first five albums, this collection is seminal and essential to any Tull collection, and the only compilation by the group that is a must-own disc.