Looking back, it's clear the 2008 Mudcrutch reunion was pivotal for Tom Petty, helping him re-focus and re-dedicate himself to playing in a band. Like the original band, Mudcrutch Mach II didn't last long – long enough to play a few shows and record a warm, gangly beast of an album – but it reinvigorated Petty. Afterward, he reveled in the sound of how the Heartbreakers played, digging deep into his catalog to shake up his set lists, letting the group exercise some blues muscles on 2010's Mojo, a record that stood as the Heartbreakers' rowdiest record since the '70s but which is easily overshadowed by the trashy psychedelic pulse of 2014's Hypnotic Eye.
In 2013, the great five-disc Stranglers box set The Old Testament: The U.A. Studio Recordings (1977-1982) from 1992 was reissued, featuring most of the group's best albums plus a bunch of drool-worthy bonuses (demos, B-sides, remixes, and other whatnot). This bulky 11-disc set was released just one year after – the excuse being that the band's 40th anniversary must be honored – but the differences are vast, with this one serving a purpose for the hardcore while Old Testament is the clear winner for the more casual listener…
Blackie & the Rodeo Kings started out as a project in which three singer/songwriters – Stephen Fearing, Colin Linden, and Tom Wilson – got together to pay homage to a friend and colleague, and as good as they are together, BARK are a band that cherish their sense of democracy so much that no one ever seems like the leader…