As you listen to "Flying Like Eagles", an episode from Jack Kerouac's novel "On the Road" might flicker across your mind, or perhaps a scene from the movie "Easy Rider". And that is because the point of departure for this album is traditional roots music from America, inspired in part by American-Indian heritage, plus three classic songs that are also imbued with that same spirit of unspoilt authenticity and freedom.
Recorded live at The Stone in New York City on a sweltering July evening in 2009, The Veil is the debut of BB&C (also known as The Sons of Champignon), an acronym for alto saxophonist Tim Berne, drummer Jim Black and guitarist Nels Cline—veteran improvisers with a long history of collaboration. Cline first recorded with Berne in the early '80s, while Black was a member of Berne's revered '90s era Bloodcount quartet. Unfolding as a single uninterrupted long-form improvisation and encore, the date's indexing points and song-titles were created after the fact for convenience. Despite having no predetermined agenda or rehearsal, the set flows as seamlessly as if it were pre-composed—such is the intuitive accord of these three veterans.
The name of this Jim Black Trio could easily have been ‘Quicksilver’ because the trio epitomises everything unpredictable and swiftly responsive. Embodied in The Constant it also revels in music of the highest quality – and that demands exceptional instrumental skills. Just a few bars into the leading song on this album it becomes that the musicians in this trio have this quality in spades. This ten-part suite brings special attention to the skill that Jim Black brings to the Art of Songwriting. His singular voice is contained in the manner in which he poses altogether different challenges in terms of phrasing, architecture and pacing.
The first five studio albums of the Southern rock band's career are collected in this 2013 slipcase box – Black Oak Arkansas, Keep the Faith, If an Angel Came to See You…, High on the Hog, and Street Party. Aside from 1975's Ain't Life Grand and the live album Raunch 'N' Roll Live, these are the most essential albums…
"Cold Blue Music has an unofficial “stable” of composers and performers names that come up on multiple releases. And why not? Every record label needs an identity. Composer Jim Fox is the man behind Cold Blue Music, and that position serves as a kind of bully pulpit for his own music. Again, why not? I like Cold Blue Music a lot, and one of the things I like about it is its advocacy for the specially priced CD single.