Jim Dvorak This Isn't Sex

The gleefully irreverent Jefferies skewers “grabby” celebrities, political hypocrisy and his own ill-advised career moves in a brash stand-up special.

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In the ultimately rather small club of jazz guitarists, he was an artist of his own, refusing to engage in any pyrotechnics of virtuosity. Jim Hall was even the opposite. A kind of Cantor of purity. One of the greatest Impressionists of his instrument. Never a note too much, all in finesse and silence to better serve the melody, he was the living embodiment of this formula dear to the Anglo-saxons, less is more (the least is the most). A language he will practice alongside giants such as pianist Bill Evans, saxophonist Sonny Rollins, trumpeter Art Farmer, double bassist Ron Carter or singer Ella Fitzgerald … always open to new ideas, Jim Hall will work with his prestigious cadets who will claim his influence such as Bill Frisell, Pat Metheny and John Scofield.