The small Opus 111 imprint records many of the small gems of Baroque and Classical music. Here is a disc from the fine Belgian historical-performance ensemble Il Fondamento. Johann Adolf Hasse is remembered mostly as an opera composer, but he also contributed copiously to the large corpus of now-undiscovered religious music of the middle eighteenth century. The Requiem in C major that makes up the bulk of the present disc, in particular, was widely recognized for its originality in Hasse's own time, as is attested to by the large numbers of copies of the work that have been found all over Europe.
Tritonus was founded in 1972 by keyboardist, composer and producer Peter Seiler. From the beginning the plan was to make orchestral rock music and classical music should serve as the foundation of the sound. The release of the self-produced single ('The Way of Spending Time') followed in 1975 the debut album 'Tritonus' (Bellaphon) which caused quite a stir. In September 1976, with the second album 'Between The Universes' (Bellaphon) the band had found its ultimate sound. Even more than before the synthesizers determined the sound of Tritonus, the album brought Peter Seiler also the reputation of being the best German synthesizer player of this genre. The album was presented live extensively and achieved great reviews in the press…
Recorded at Relight Studios in the Netherlands in March 1977, the album was the band’s second for the recently established Oyster Records (formed by Deep Purple member Roger Glover).
The album starts off promisingly with the moody and expansive "Burning for Me"; Dave Cousins sings with restraint over a somber repeating theme on piano and strings, and it ends with a hint of a Moog solo. Alas, later numbers like "Keep on Trying" turn out to be a limply insincere sort of "positive pop," which is all the more grating given the sincere moodiness of the band's earlier work. "Back in the Old Routine" is a patronizing mimicry of the working bloke, a sort of folky watering down of their old hit "Part of the Union." Cousins at least gets back a bit of his old bile in "Alexander the Great," where he gives a sour kiss-off to music critics - who, at this point, probably weren't listening anyway.
This is a fine album for Wagner fans who want to check out the composer's non-operatic output. The Symphony in C (written at age 19) may be familiar, and is actually available in other CDs. However, the Symphony in E, Wagner's uncompleted creation from age 21, may not. This CD features Wagner's 1882 revision of the Symphony in C which was performed two months before his death. Wagner completed the first movement of the Symphony in E but only 29 bars of the second movement. In 1887, a performance version based on these 29 bars was prepared by conductor Felix Mottl at the request of Wagner's widow Cosima. This performance version of the second movement is included on this disk.