Jimmy Giuffre 3 Graz Live 1961

There’s no sign of any let up in Neil Young’s current reissue/release productivity, with the announcement of three new albums in his ‘Official Bootleg Series’. These are Royce Hall, 1971, a solo acoustic gig which was recorded on 30 January of that year on the UCLA (University of California) campus; Dorothy Chandler Pavilion, 1971, another solo acoustic performance and the last US show of his 1971 solo tour; and, perhaps most excitingly, Citizen Kane Jr. Blues (Live at The Bottom Line), an On The Beach-heavy set from New York City, 1974.

Recorded in November 1962, this album marks the first official release of the legendary Greenwich Village Nightclub shows and includes 24 newly mixed performances from the original master tapes in Barbra’s personal collection. With the release of this album, Columbia Records celebrates 60 years of making records with Barbra Streisand, the artist with the longest continuous catalog on the label and the only artist - male or female - on any label to chart #1 albums in every decade since the 1960s.

UMe has announced the release of a four-CD special edition of Cream’s Goodbye Tour Live 1968. Out on 7 February 2020, it will feature the first authorised appearance of three complete concerts on the band’s final US tour in October 1968, as well as the whole of their last UK date at the Royal Albert Hall in London on 26 November that year.

When Fleetwood Mac released its first live album in December 1980, it captured the legendary band’s most iconic lineup on stage demonstrating the full scope of their collective, creative powers. Recorded mostly during the world tour for Tusk, Fleetwood Mac Live delivered a double-album’s worth of exhilarating performances that included massive hits like “Dreams” and “Go Your Own Way,” “Rhiannon,” and “Don’t Stop.”

For two decades, MONO have defined and refined a kind of orchestral rock that is as emotional as it is experimental. Their 10 studio albums over those 20 years have established MONO as what Pitchfork described as “one of the most distinctive bands of the 21st Century.” Meanwhile, their live concerts are typically more subdued in instrumentation – and more supercharged in volume and voltage. Rarely is there the opportunity to combine those two experiences. In their 20-year history as a band, MONO have presented no more than a half-dozen live concerts featuring the support of an orchestra. Such events are not only unusual – they are also unforgettable.