Jimmy Tonik

Iconic guitarist Jimmy Raney and legendary pianist Sonny Clark’s paths crossed only during a European tour promoted by Leonard Feather in 1954, which included concerts in several countries and also allowed Feather time to organize a few studio dates here and there.
Jimmy Raney (guitar) and Sonny Clark (piano) are featured with Costa Theselius (tenor sax), Red Mitchell/Simon Brehm (bass) and Bobby White/Elaine Leighton (drums).

Besides hardcore Led Zeppelin fans, it's a little known fact that Jimmy Page produced and played on a 1970 album by theatrical rocker Screaming Lord Sutch, Lord Sutch and Heavy Friends. In addition to Page's appearance (he also co-penned a few tracks), the other 'friends' included John Bonham, Jeff Beck, Nicky Hopkins, and Noel Redding. Since the album is quite difficult to find nowadays, select tracks have popped up over the years on compilations, such as the 2000 set Rock and Roll Highway.

Unlike his Delmark sets, almost everything on this set (first issued in France on Black & Blue) is a cover (only the observant "Heap See" boasts original lyrics). Still, "Barroom Preacher" stands as the Chicago guitarist's most satisfying and consistent album, as he deals out gorgeous, shimmering versions of "Little by Little, " "Cold, Cold Feeling, " and "You Don't Know What Love Is" tailored to his soaring vocals and twisting guitar riffs (ominous minor keys often play a role in his rearrangements).

Chicago guitarist Jimmy Dawkins would have preferred to leave his longtime nickname "Fast Fingers" behind. It was always something of a stylistic misnomer anyway; Dawkins' West Side-styled guitar slashed and surged, but seldom burned with incendiary speed. Dawkins' blues were generally of the brooding, introspective variety - he didn't engage in flashy pyrotechnics or outrageous showmanship.

Working Class Boy (subtitled The Soundtracks) is a 2018 soundtrack album by Australian singer-songwriter, Jimmy Barnes. It is the soundtrack album for the 2018 film of the same name, based on the 2016 memoir of the same name, which became a tour in 2016 and 2017 in which Barnes sang songs and told stories from the memoir. The album was released on 17 August 2018. Disc 1 contains 12 songs, 2 instrumentals and 13 spoken word pieces captured live at the State Theatre (Sydney) on 12 April 2017. Disc 2 is an 8 songs recording with a full band on a Soundstage for the movie version of Working Class Boy. At the ARIA Music Awards of 2018, the album won the ARIA Award for Best Original Soundtrack, Cast or Show Album.

With his simple, accessible sound and signature laid-back style, JIMMY REED was just about the most commercially successful Blues artist in the USA during the 50s and 60s.

In May 2017, days before succumbing to cancer, Jimmy LaFave staged a final show in Austin at the Paramount Theatre, an all-star farewell and thank you to the music community he adoringly called home. Even in his own passing at the age of 61, LaFave’s voice provided comfort, wisdom, and healing to a hurting world. Posthumous double-disc Peace Town arrives nearly a year later, a last gift from the incomparable song crier. Like calculated final collections from David Bowie, Warren Zevon, and Leonard Cohen, each song rings with meaning. Opening on Pete Townshend’s “Let My Love Open the Door,” LaFave recasts the pop anthem with a stirring emotional appeal, followed by one of only three of his own compositions among the 20 tracks, “Minstrel Boy Howling at the Moon.”

On his seventh offering, and his first since 2001's Texoma, Okie beatnik cum Austin songwriter Jimmy LaFave listens deeply to the tender whispers of his Muse and lets flow with his most personal offering to date. LaFave has always given us song pictures of an America that has either disappeared or is on the verge; he has celebrated its highways, its people, and its heart. He has also given us some choice love songs. But on Blue Nightfall he has gone deep into the latter theme and has come up with a beauty. It's not that he's ignored his other concerns; there are road songs and topical tunes as well. But it's in LaFave's love songs that listeners get to hear a depth and vastness that feel new. LaFave's voice is his greatest asset and he uses it to great effect here, and his production is spot-on throughout. The title track, "Revival," "Sweet Sweet Love," "When You Were Mine," and "Rain Falling Down" are all broken-hearted ballads, colored in woven and textured acoustic and electric guitars accented by Radoslav Lorkovik's accordions, pianos, and organs, and supported by a taut yet subtle rhythm section in bassist Will Landin and drummer Wally Doggett.