Joakim Milder Fredrik Ljungkvist Mathias Landraeus Filip Augustson Fredrik Rundkvist: The Music of Anders Garstedt (

In Audite's survey of the music of Eduard Franck, this has long been one of my favourite discs. The string sextet can be a tricky genre to master, which perhaps partly accounts for its rarity compared to the string quartet and even the piano quartet during the Romantic era: there are six musical parts that have to retain a degree of independence, as opposed to four in the quartet form, of course; and there is also the problem of balance, with the two violins effectively set against four instruments in lower registers.

Stefan Pasborg is one of his generation’s most brilliant, inspiring and visionary musicians, and has within the last 20 years established himself as one of the most successful Danish instrumentalists.

Mystical and stirring, dreamy and comforting. This album tells every story a fairytale can tell. Enjoy the music of this very first CD by Andreas Hering and Mathias Johansen together.

A glorious collection of choral music by British composers, recorded live during services of Choral Evensong in King’s College Chapel. Popular anthems like Hubert Parry’s I was glad and Patrick Hadley’s My beloved spake are included alongside settings of the Magnificat and Nunc dimittis through the centuries. Included here are settings from Byrd’s Great Service and Weelkes’ Short Service, alongside Stanford’s setting in G and William Mathias’ Jesus College Service. Recorded between the summers of 2018 and 2019, this selection presents music from Stephen Cleobury’s last year as Director of Music at King’s College after 37 years in post.

Franz Xaver Scharwenka - Piano Music Vol.4 - Seta Tanyel (2003) {Hyperion-Helios CDH55134 rec 1995}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 198 Mb | MP3 @320 -> 167 Mb
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© 1995, 2003 Collins Classics / Hyperion Records / Helios | CDH55134
Classical / Romantic / Early 20th Century / Piano

'… brimful with alert character and beauty whilst the two piano pieces are delightful in their raucous melodies … briliantly done by Tanyel' (Classical Net Review). It was brave and useful and laudable of Seta Tanyel and the now-defunct label Collins Classics to have embarked, in the 1990s, in a thorough exploration of the music of Xaver Scharwenka (1850-1924), and one must be grateful to Hyperion to have reissued almost all of it. The 4-volume traversal of his solo piano music doesn't embrace I think Scharwenka's complete piano output, but it is still very substantial. Add to that the three first piano concertos (apparently Collins didn't live long enough to record the Fourth, and the first is the one disc that Hyperion did not reissue, Piano Concerto 1, obviously because they already had another one in their catalog, Rubinstein: Piano Concerto No. 4; Scharwenka: Piano Concerto No. 1) and what I think was the complete chamber music. However, I didn't always feel that the results lived up to the project's promises.