This is a delightful set, a program of eight Brazilian tunes and three of pianist Joanne Brackeen's originals. With strong assistance provided by bassist Eddie Gomez, drummer Duduka da Fonseca and percussionist Waltinho Anastacio, Brackeen adds beauty and adventure to such numbers as "Recado Bossa Nova," "Estate," "The Island" and a pair of Milton Nascimento songs. The pianist stretches the songs a bit in spots but never neglects their melodies or the original moods. Well worth several listens.
The third of Joanne Brackeen's three Choice recordings, Prism is a set of piano-bass duets with Eddie Gуmez. As usual for the era, all of the compositions are Brackeen's, and the music is both challenging and spontaneous, at least for musicians skilled enough to master the structures. Although underrated, Brackeen has long been one of the giants of modal post-bop piano, and this fine set serves as additional proof.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A wonderful little record from pianist Joanne Brackeen – unlike anything the artist ever recorded, as it's just a set of duets with guitarist Ryo Kawasaki, who brings in some really beautiful elements to the mix! Ryo plays an acoustic nylon string guitar, but with a dexterity that most other players would use on electric – and the balance of his instrument with Brackeen's piano is sublime – full of colors and imaginative tones, but also a fair degree of rhythmic impulses too – which guide the duo in ways that are completely refreshing throughout!
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Really great work from pianist Joanne Brackeen – a player who's always got plenty to offer, but who really seems to find a special space here – working in a unique trio that features Clint Houston on bass and Ryo Kawasaki on guitar! Houston's bass is wonderful – full, rich, and very well-rounded – an element that brings so much depth to the record that both Ryo and Joanne can really take off – Kawasaki on these colorful lines that have a bit more bite than his more fusiony guitar albums as a leader, and Brackeen with these incredibly deft, incredibly well-spun lines on piano. The balance of sounds is wonderful – very fresh and unique – and titles include "Aft", "Haiti B", "Dreamers", and "Winter Is Here".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A hell of a record from this wonderful pianist – partly because the set only features the bass of Clint Houston for accompaniment, and no other instrumentation at all! Clint's sound is wonderful – full, rich, and extremely rhythmic – so much so, there's no need for drums at all on the record, as Houston blocks things out and paces the record from the strings up – with a commanding majesty that really seems echoed by Brackeen's lines on piano – every bit as lyrical and fluid as ever, but maybe even more powerful too! The whole thing's beautiful – more commanding than you might expect, especially for Brackeen – and titles include "Freedent", "Solar", "New True Illusion", "Steps What Was", and "Search For Peace".
Recorded the same week as Getz/Gilberto '76, Resonance Records' companion album, 2016's Moments in Time, captures saxophonist Stan Getz performing live at San Francisco's Keystone Korner in May 1976. To celebrate the release of Getz's reunion album with Brazilian singer/guitarist João Gilberto, 1976's The Best of Two Worlds, the saxophonist booked a week of shows at the Keystone backed by his quartet and featuring Gilberto. Whereas Getz/Gilberto '76 showcases the Gilberto performances, Moments in Time finds Getz appearing alone with his band, featuring pianist Joanne Brackeen, drummer Billy Hart, and bassist Clint Houston. Despite the wealth and fame he accumulated from his initial 1960s bossa nova albums, Getz remained a creatively restless, forward-thinking artist over the coming years.
Having reunited for 1976's The Best of Two Worlds, saxophonist Stan Getz and Brazilian singer/guitarist João Gilberto celebrated the album's release with a week of shows at San Francisco's Keystone Corner. Marking over a decade since the pair had made history with 1964's landmark Getz/Gilberto album, the shows, which took place between May 11-16, 1976, would prove one of the rare times they appeared live together. Resonance Records' 2016 album, Getz/Gilberto '76 (and the separate release Moments in Time), documents these shows via live recordings made by Keystone Korner club owner Todd Barkan.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Bassist Clint Houston never made many albums as a leader, but all of them are well worth tracking down – and this one may be the best of the bunch! The set has Clint working with frequent musical partner Joanne Brackeen on piano, as well as Ryo Kawasaki on guitars – who'd played with Joanne around the same time – and percussionist Rubens Bassini completes the group, and adds in some great subtle elements at the bottom. Tracks are long, and often very personal – quite different than the sort of music that many other bassists might provide as a leader – and a great showcase for Houston's highly melodic approach to his instrument. Clint plays both acoustic and electric, and a bit of guitar as well – and titles include "Black Thing", "Geri", "Goodbye Mr P", "You Are Like The Sunshine", and "Letitia".