Joao Ceser Goodbye Terra 01 (2021)

Gilberto Gil - São João em Araras - ao Vivo (2021) {Gege Produções Artisticas}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 367 Mb | MP3 @320 -> 143 Mb | Cover | 5% repair rar
© 2021 Gege Produções Artisticas
Jazz / Brazilian Jazz / MPB / Brazilian Traditions / Brazilian Pop

Singer and composer Gilberto Gil made available on all digital platforms this Friday (28) the album “São João em Araras – ao Vivo”, a virtual show held in 2020 as a form of homemade celebration of Festa Junina. The presentation has 18 songs in total, where the artist performed with the support of his band. In the track “Eu Só Quero um Xodó”, Gil had the special participation of the singer Preta Gil, one of his daughters.

One of Australia’s greatest self-made successes, Tash Sultana is a one-person powerhouse who commands multiple instruments and gear, whether on-stage or in-studio. A globe-trotting sensation with a live show that needs to be seen to be believed, the 25-year-old’s second album Terra Firma is a natural evolution of their multi-dimensional jams. The follow-up to 2016’s ARIA-winning Flow State was recorded in a custom-built studio over nearly a year.

When Jimi Tenor and UMO collaborate, usually something epic happens. Terra Exotica is a completely new work composed by Jimi Tenor, inspired by nearby forests and the seashore, Japanese film-era film music, and bands like Sun Ran and Salah Ragab. Terra Exotica is quite an exotic entity, which I have composed specifically for UMO Helsinki Jazz Orchestra. In addition to the influences brought by Sun Ran and Salah Ragab, the pieces also have a touch of blues and even swing. Our album comes out in the end of the year 2021, Jimi Tenor promises.

Where’s João Donato? It’s a frequently asked question, referring simultaneously to the physical location and the musical moment he inhabits. A sampling of some of his more descriptive song titles suggests Donato’s comfort with musical hybrids: “Bluchanga,” “Sambolero,” and “Sambongo,” to name just a few. Lacking a name for his style of music, Donato’s is a distinct sound, immediately recognizable from the first few bars of any of his compositions. He was funky back when “funk” was a bad word (listen to either of his 1960s Brazilian LPs for proof). His compositions are deceptively simple, while his arrangements are harmonically complex, resulting in songs that are seemingly childlike, yet reveal their intricate details upon repeat listening.