Big Charlie Thomas was one of many cornetists who recorded as sideman and accompanist during the 1920s, and have since drifted to the margins of jazz history. Like Ed Allen, he worked in groups that often had something or other to do with pianist and music publisher Clarence Williams. If Thomas' brief recording career is mapped out in discographical relief, the details are sketchy but fascinating. During the years 1925-1926 he is believed to have recorded with vocalists Rosa Henderson, Bessie Brown, Sara Martin, Mandy Lee, and Clarence Williams' wife Eva Taylor. In addition to various backing units, he blew his horn with the Dixie Washboard Band, the OKeh Melody Stars, Thomas Morris & His Seven Hot Babies, Buddy Christian's Jazz Rippers, and of course Clarence Williams' Blue Five. His involvement with this last ensemble places Thomas in the same circle as Morris, Sidney Bechet, and Louis Armstrong. So elusive are the recordings of Big Charlie Thomas that were it not for an album of rarities assembled and released during the '90s by the Timeless label, it would be difficult to access his legacy at all.
Here are the articled funky beats that hip-hop DJs can’t stop diggin’ in the crates for – including rare grooves aplenty. What’s more, there’s soul, jazz and a message or two to go with those killer breaks. As sampled by everyone in rap - including you?
On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being the groundbreaking trio featuring Bill Frisell – the lineup released three albums on ECM. Jakob Bro on the other hand made his ECM debut on Paul’s album Garden of Eden (2006). On Once Around The Room, compositions by Joe and Jakob appear alongside collective improvisation and Motian’s own “Drum Music”, seamlessly tied together and developed by an accomplished musical collective with stalwarts Larry Grenadier, Thomas Morgan and Anders Christensen respectively on bass as well as drummers Joey Baron and Jorge Rossy.
Five albums from Joe Satriani – picked seemingly at random but not unappealingly – are collected on this budget-priced 2013 box set. The albums here – Surfing with the Alien, Engines of Creation, Strange Beautiful Music, Is There Love in Space?, Super Colossal – arguably showcase Satriani at his best, even if they don't focus on any particular time…
In June and September of 1952, Joe Sullivan recorded eight versions of songs composed but never recorded by Thomas "Fats" Waller. Issued on a 10" LP entitled Fats Waller First Editions, this music soon drifted into obscurity. It resurfaced years later on Mosaic's The Columbia Jazz Piano Moods Sessions, a limited-edition box set of seven CDs. In January of 2004, the Classics Chronological series quietly released all eight of these magnificent trio renderings as part of the continuing saga of Joe Sullivan. Hardly anybody seems to have noticed this important historical development. Yet Fats Waller devotees everywhere should be notified, as they now have ready access to Waller melodies with titles like "What's Your Name," "Solid Eclipse," "Never Heard of Such Stuff," and "If You Can't Be Good, Be Careful." Classics 1353 also includes a powerful quartet session from December of 1945 with George Wettling…
Scott Kinsey’s connection to the music of Joe Zawinul and Weather Report is undeniable and hardly new to even casual partakers of the keyboardist’s work. As Kinsey explains, the pull was there from the beginning: “Joe was an innovative improviser, composer, and conceptualist but for me, especially so as the first jazz synthesist I had ever encountered. His electric keyboard work was showing us the future, note by note.”