Joe D'amato

Long-awaited reissue of an interesting and rare masterpiece by jazz guitar virtuoso Joe Pass, who took on jazz funk! This is the first release on Gwyn Records, a minor label in California, and features a very impressive lineup. Paul Humphrey and Earl Palmer on drums, Carol Kaye (label owner) and Ray Brown on bass, J.J. Johnson, Tom Scott, and Conte Candoli on horns, this is truly a historical session that brought together the top musicians of the West Coast at the time. From the cool funk of "Better Days" at the beginning of the session, almost the entire album was a storm of jazz funk. "Free Sample" by Joe Sample, "Burning Spear," with its impressive undulating beat, "Head Start," with its too-subtle bass line, and the boogie shuffle "Gotcha!"…

Avid Jazz continues with its Four Classic Albums series with a re-mastered 2CD set release from Joe Williams complete with original artwork, liner notes and personnel details.
“A Night At Count Basie’s”; “A Man Ain’t Supposed To Cry”; “Everyday I Joe Williams was born Joseph Goreed in Georgia 1918 but was raised by his mother and grandmother on the south side of Chicago. His early years were spent singing gospel in church choirs and he began his professional solo career in 1937. Joe played with many of the big bands of the era including Lionel Hampton and Jimmy Noone as well as touring with Coleman Hawkins in 1941. From 1954 to 1961 Joe was to play with the man whose name he is perhaps synonymous with, the legendary Count Basie…

When the definitive swamp rocker Tony Joe White signed with Warner Bros. in 1971, it sure seemed like a good idea – while White seemed like an anomaly at Nashville's Monument Records, WB was a label with a reputation for nurturing creative mavericks with a taste for stylistic crossbreeding, and with his soulful, organic fusion of rock, blues, and country sounds, White was as individual as they came in the late '60s and early '70s.

As the 70s drew to a close, the roots and dub sounds that had dominated the Jamaican music scene for much of the decade gave way to dancehall, a style that continued to find favour with reggae fans until the onset of the digital revolution of the mid-1980s. Aimed squarely at satisfying the demands of live audiences, songwriters largely abandoned the conscious lyrics that had typified the music of the preceding years, focusing instead on subjects which with their Jamaican audiences could readily identify.

Trio Fascination: Edition One (1998). Whether embracing Gunther Schuller's arrangements or paying tribute to Frank Sinatra, Joe Lovano was as consistent as he was unpredictable in the 1990s. Most of his Blue Note output was excellent, and Trio Fascination, Edition One is no exception. This impressive inside/outside date finds Lovano forming a pianoless trio with bassist Dave Holland and drummer Elvin Jones, and the three are very much in sync on originals that range from the dusky "Sanctuary Park" and the haunting "Studio Rivbea" to the very angular "New York Fascination" and the difficult "Cymbalism." Meanwhile, "Impressionistic" is an eerie number with Middle Eastern overtones. The only song on the CD that isn't an original is a very personal interpretation of the standard "(I Don't Stand A) Ghost of a Chance"…

Long-awaited reissue of an interesting and rare masterpiece by jazz guitar virtuoso Joe Pass, who took on jazz funk! This is the first release on Gwyn Records, a minor label in California, and features a very impressive lineup. Paul Humphrey and Earl Palmer on drums, Carol Kaye (label owner) and Ray Brown on bass, J.J. Johnson, Tom Scott, and Conte Candoli on horns, this is truly a historical session that brought together the top musicians of the West Coast at the time. From the cool funk of "Better Days" at the beginning of the session, almost the entire album was a storm of jazz funk. "Free Sample" by Joe Sample, "Burning Spear," with its impressive undulating beat, "Head Start," with its too-subtle bass line, and the boogie shuffle "Gotcha!"…

Three classic albums from Crusaders’ original member Joe Sample from the late ‘70s and early ‘80s.

Ever since Joe Jackson's debut album, Look Sharp, yielded his first single in "Is She Really Going Out With Him?" in July of 1979, which peaked at number 21 on Billboard (the album hit number 20), his career has seen him investigate a multitude of musical styles with clean-cut charm and poise. Jackson has dabbled in everything from reggae, disco, and soul to power pop, jazz, and even big band. Stepping Out covers 15 of his biggest singles, including his highest chart-topper, "Stepping Out," which hit number six on Billboard's Top 40, from the suave sounding Night and Day album. The downhearted appeal of "Breaking Us in Two" appears here as well, along with the salsa- flavored "You Can't Get What You Want (Till You Know What You Want)," which reached number 15 and was the strongest track from 1984's Body and Soul album. Outside of his chart appearances, the rest of this hits collection holds up well. Jackson's voice is heard in wispy detail on "Fools in Love," while his humor and wit explode on "I'm the Man" from the album of the same name. The live release entitled Big World from 1986 is spoken for with both "Right and Wrong" and the candid allure of "Hometown."