Gumina on these two albums (Sentimental Moods (1987) and Autumn Leaves (1991)) played an instrument called the polycorus, which he designed and built. It's similar to an accordion but allowed him to provide a bass line and notes and chords that sound as if they're emanating from an organ. The polycorus also gave Pass a thick reedy background to swing on. All of the musicians are superb, with solos flying like a flurry of perfectly tossed darts. The harmonies are wonderful in the trio setting and only become more colorful and exciting when Buddy De Franco joins in on the second album. The beauty of Pass, Gumina, Smith and Buddy is that they fully appreciated how to maximize harmony and swing. Just doin' what sounds great. What a combination.
This double album matches and mixes together four masterful musicians: pianist Oscar Peterson, guitarist Joe Pass, bassist Niels Pedersen and harmonica great Toots Thielemans. Together they perform O.P.'s "City Lights" and ten veteran standards with creativity, wit and solid swing. There are a few miraculous moments as one would expect from musicians of this caliber and the results are generally quite memorable.
Solo guitar by Joe Pass – a beautiful little album that's a perfect showcase for the new sensitivity in his music during his years at Pablo records! The Joe Pass heard here is light years away from the guitar player who made a few gimmicky records a decade before – and this album has Joe coming across with a gentle, but sophisticated approach to his instrument that we never would have expected in the past!
A mix of reverence and adventure. An intimate and demanding solo guitar outing by Ratko Zjaca. 8 standard 2 originals. Each song played on a different legendary instrument.