Joel Saliton

Columbia Records released a two-disc legacy version of Piano Man in November 2011. This edition included a slightly truncated live 1972 Philadelphia 93.3 WMMR FM radio broadcast of early songs that Joel performed and recorded at the Philadelphia-based Sigma Sound Studios. This radio broadcast was extremely important to the success of Joel's music career because, after the show was recorded, the live recording of "Captain Jack" was played by the station and quickly became "the most requested song in the station's history". Once the popularity of this live recording was known, people working for Columbia Records heard the recording and signed Joel to the label. The radio broadcast included three songs ("Long, Long Time", "Josephine" and "Rosalinda") that were never on any of Joel's studio albums.

In his own inimitable fashion, Billy Joel has crafted some of the catchiest pop hits of the '80s and '90s, and most of them–17, to be exact–are on this disc. The jaunty, nostalgic "Keeping the Faith" opens things up, and we cruise right down memory lane with Billy: through the pop-soul of "A Matter of Trust", the brash, rocking "I Go to Extremes" and "All About Soul" (remixed here to good effect). Joel has grown over the course of his long career, and you can trace his maturity as an artist through these later songs. The tone is a bit darker, a bit edgier than on his earlier tunes. This is an artist who has always been about making pop music, but he's also lived and learned: "You gotta get tough/but that ain't enough/it's all about soul". Fans will probably agree, and will enjoy this collection immensely.

Bach was a German composer of the Baroque period. He regarded as one of the greatest composers of all time. He was orphaned at the age of 10 and lived with his brother for five years.

Joel Gisiger was born in São Paulo in 1968. And Master from the Federal University of Bahia (2017). He studied with Benito Soares Sanchez, Washington Barella and Lothar Koch.

…I was learning the hard way about how to be a publisher and probably spending way too much time looking at web sites and programming than I should have in response to that. Anyway, one day I came across this web site called , which was run by a guy with strong opinions and an unusual, clever writing style, along with a willingness to take on the conventional wisdom. In particular, he was writing this ongoing series about how bad most user interfaces were—mostly because programmers by and large knew, as Joel and I would say, using the same Yiddish–derived NYC vernacular that we both share, “bupkis” about what users really want. And I, like many, was hooked both by the series and the occasional random essay that Joel wrote. And then I had this epiphany: I'm a publisher, I like reading his stuff, why not turn it into a book?…

There's lots of great guitar/tenor interplay in this live set from Joel Frahm – a date that's recorded with a wonderfully warm feel that almost makes it top any of Frahm's studio sessions! Tracks are nice and long, and really balance a lot of Frahm's snaking tenor lines with the guitar of Kurt Rosenwinkel – in a quartet that also features Otis Brown III on piano, and Joe Martin on bass. The set features many originals by Frahm – including "Alert", "Song For Mom", "A Little Extra", and "Short Rack" – plus versions of "Chelsea Bridge" and "Steeplechase"