Joesph Delaney

This 42-minute, eight-song live album, cut at Croydon late in 1969, is not only the peak of Delaney & Bonnie's output, but also the nexus in the recording and performing careers of Eric Clapton and George Harrison. On Tour features Clapton performing the same blend of country, blues, and gospel that would characterize his own early solo ventures in 1970. He rises to the occasion with dazzling displays of virtuosity throughout, highlighted by a dizzying solo on "I Don't Want to Discuss," a long, languid part on "Only You Know and I Know," and searing, soulful lead on the beautifully harmonized "Coming Home." Vocally, Delaney & Bonnie were never better than they come off on this live set, and the 11-piece band sounds tighter musically than a lot of quartets that were working at the time, whether they're playing extended blues or ripping through a medley of Little Richard songs.

For whatever reason, Delaney Bramlett is a marginal figure on the music scene, a figure with a great and very influential past whose present is almost never acknowledged - at least in America. Sounds From Home is a case in point. The man who is responsible for virtually creating Eric Clapton's sound in the 1970s and bringing the great southern R&B traditions together with hard rock and rambling country-soul (how many records did Gram Parsons and Duane Allman appear on together? One: Delaney & Bonnie's Motel Shot in 1971) is creating some of the finest music in his life, when most of his contemporaries settled for far less artistically, though they have reaped far more material benefit and historical recognition (Clapton's musical laziness is a case in point)…