Johan Tronestam Far Away

The idea for the album Luther started in 2015 after visiting Wartburg. It was a mighty feeling to enter the room where Martin Luther translated the New Testament from Latin to German. The translation gave citizens the opportunity to have their own relationship with God and to reflect on the written word, which was not possible before. This album is a musical interpretation of the historical person Luther at a time when everything was changing. Martin Luther chose the monastic life because of a thunderstorm.

This album was created in Lemland/Åland 2015-2017. It's about space and has a connection to my previous space albums and connects everything to an entirety - Space is a source of inspiration, a mystery that will give humanity a continuousunderstanding.
Influenced by the early synth masters, such as Jean-Michel Jarre, Vangelis and Tangerine Dream, as well as the progressive rock of Pink Floyd, Tronestam draws sounds from his synths that sweep like plasma fields projecting from the Sun or shift like the light of fading suns. The effect is neither entirely naturalistic nor abstract, but instils the feeling of moving through four dimensions in proximity to almost nothing else.

A pleasant album by the drummer Michael White, featuring a lot of stars from jazz-funk as Stanley Clarke, Marcus Miller, Gerald Albright, Byron Miller, John Beasley, Doc Powell and many others.

Not Too Far Away is the nineteenth studio album by British singer-songwriter Joan Armatrading, and was released on 18 May 2018. Armatrading produced the album herself, arranged the strings and plays and programmes all instruments.

Charlie Haden & Brad Mehldau - Long Ago and Far Away (2018) {Impulse! 6789500} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 172 Mb
Full Artwork @ 600 dpi (jpg) -> 96 Mb | 5% repair rar
© 2018 Impulse Records / Universal Music | 678 950 0
Jazz / Post Bop / Modern Creative / Piano / Bass

Long Ago and Far Away captures pianist Brad Mehldau and bassist Charlie Haden in a live duo performance recorded during the 2007 Enjoy Jazz Festival in Mannheim, Germany. One can hardly think of a more compatible pairing, with both Mehldau and Haden embodying an introverted, harmonically rich, and endlessly inventive jazz paradigm.

Over the Hills and Far Away is the first EP by Finnish symphonic metal band Nightwish, released in 2001 through both Spinefarm Records and Drakkar Records. Bassist Sami Vänskä would leave the band after the recording of this CD, due to musical differences between him and Tuomas Holopainen, to be replaced by the current bassist and male vocalist, Marco Hietala…

Hank Mobley - Far Away Lands (1967) {Blue Note CDP 7 84425 2 rel 1995, Ron McMaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1967, 1995 Blue Note / Capitol | CDP 7 84425 2
Jazz / Hard Bop / Saxophone

Of all the Blue Note artists of the 1960s, tenor saxophonist Hank Mobley may very well be the most underrated. A consistent player whose style evolved throughout the decade, Mobley wrote a series of inventive and challenging compositions that inspired the all-stars he used on his recordings while remaining in the genre of hard bop. For this lesser-known outing, Mobley teams up with trumpeter Donald Byrd, pianist Cedar Walton, bassist Ron Carter, and drummer Billy Higgins for four of his songs (given such colorful titles as "A Dab of This and That," "No Argument," "The Hippity Hop," and "Bossa for Baby"), along with a song apiece from Byrd and Jimmy Heath. An excellent outing, fairly late in the productive career of Hank Mobley.

Two CDs devoted to the Springfields is probably a bit much for casual fans. This set could likely have been trimmed to one 70-minute CD, leaving out "Silver Dollar," "Row Row Row" and some of the other lesser material from their first album, although it is strange in an enlightening way to hear Dusty singing the latter, a pre-World War I standard more suited to the likes of Ruth Etting. What's good is that none of the high spots are left out, including "Allentown Jail," the ethereal "Far Away Place," "Silver Threads and Golden Needles" (natch), the delightful "Little Boat" (the best of their international numbers), and the gorgeous, near-British beat style "Come On Home," where Dusty starts to show off some of the soulfulness that would later identify her voice. The notes are well detailed, and the mastering is flawless.