Johann Sebastian Bach Sonata in G Major Bwv 1027 a Viola da Gamba et Cembalo Obligato i) Adagio Performer: Andrea De Carlo. Fineline Classics.

Andrea De Carlo, Luca Guglielmi - Sonatae a Viola da Gamba & Cembalo Obligato (2023)

Andrea De Carlo, Luca Guglielmi - Sonatae a Viola da Gamba & Cembalo Obligato (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 1:07:07 | 377 / 153 Mb
Genre: Classical / Label: Fineline

This musical project was born in the very first meeting with Luca Guglielmi, the night before a concert in Geneva when, through the music of J. S. Bach, a sincere human and musical affinity was revealed that needed neither words nor looks. Now, at a distance of a time made fluid by the hours of listening to the tracks, I see that we had met in Bach's profound italianness, in the singing of the melodies that danced in counterpoint, in the rhythmic undulation of his writing, but above all in the composer's human and eternal spirituality. Although in the manuscripts the three Sonatas for Viola da Gamba are accompanied by the harpsichord, we imagined the Viola da Gamba conversing with different keyboard instruments that Bach had at his disposal: Matthias Griewisch copy of a Mietke harpsichord (kindly loaned by the Bach Museum in Leipzig), Kerstin Schwarz copy of a Silbermann piano and the organ in the Frankenstein Dorfkirche, built by Gottfried Silbermann in 1753, few years after Bach's death.
Andrea De Carlo & Luca Guglielmi - J.S. Bach: Sonatae a Viola da Gamba & Cembalo Obligato (2023) [Digital Download 24/88]

Andrea De Carlo & Luca Guglielmi - J.S. Bach: Sonatae a Viola da Gamba & Cembalo Obligato (2023)
FLAC (tracks) 24-bit/88,2 kHz | Front Cover | Time - 67:07 minutes | 1,28 GB
Classical | Label: Fineline Classics, Official Digital Download

This musical project was born in the very first meeting with Luca Guglielmi, the night before a concert in Geneva when, through the music of J. S. Bach, a sincere human and musical affinity was revealed that needed neither words nor looks. Now, at a distance of a time made fluid by the hours of listening to the tracks, I see that we had met in Bach's profound italianness, in the singing of the melodies that danced in counterpoint, in the rhythmic undulation of his writing, but above all in the composer's human and eternal spirituality.
Cassandra Luckhardt, Pieter Dirksen, Alfredo Bernardini - J.S. Bach: Sonatas with viola da gamba & harpsichord (2009)

Cassandra Luckhardt, Pieter Dirksen, Alfredo Bernardini - J.S. Bach: Sonatas with viola da gamba & harpsichord (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 01:17:43 | 566 MB
Genre: Classical | Label: Etcetera | Catalog: KTC 1365

Cassandra Luckhardt has established an international reputation as a soloist, chamber and orchestral musician and teacher on both cello and viola da gamba. Cassandra has played and recorded as principal cello with The Academy of Ancient Music, Il Complesso Barocco, Les Musiciens du Louvre and as gamba soloist with the King's Consort.
Steven Isserlis, Richard Egarr - Gamba Sonatas: Bach, Handel, Scarlatti (2015)

Steven Isserlis, Richard Egarr - Gamba Sonatas: Bach, Handel, Scarlatti (2015)
EAC | FLAC | Image (Cue&Log) ~ 333 Mb | Mp3 (CBR320) ~ 139 Mb | Artwork included
Genre: Classical | Label: Hyperion | # CDA68045 | Time: 00:59:48

Steven Isserlis and Richard Egarr here assemble all the viola da gamba sonatas written by three composers born in the propitious year of 1685: one each by Handel and Domenico Scarlatti, and three by JS Bach. Isserlis plays them on the gamba’s modern cousin, the cello, and the microphone loves his playing, picking up all the nuances and scampering asides from his soft-spoken instrument which can sometimes get lost in big concert halls. Egarr on harpsichord matches Isserlis’s eloquence and rambunctious energy all the way. The dreamy, airy slow movement of Bach’s Sonata in G minor brings telling use of vibrato as Isserlis circles around Egarr, his playing at once idiomatic and soulful. An extra cellist reinforces the bass line in the Handel and Scarlatti, in which the composers give the harpsichordist only a framework; Egarr’s imaginative realisations ensure that even when Scarlatti is at his most repetitive, he is never dull.
Alberto Rasi - Bach Music for Harpsichord & Viola da gamba (2019) [Official Digital Download 24/96]

Alberto Rasi - Bach Music for Harpsichord & Viola da gamba (2019)
FLAC (tracks) 24-bit/96 kHz | Time - 54:57 | 1.13 GB
Studio Master, Official Digital Download | Artwork: Front cover+digital booklet

For some time now musicology has widely reviewed the previously long held belief that Johann Sebastian Bach’s chamber output originates mostly from his Köthen period (1717-1723). Although precise dates are still lacking, various clues have led many of his works for one/two instruments and basso continuo or concertante harpsichord to be moved forward to his Leipzig years (1723-1750) and in particular to the decade 1730-1740. This group of works also includes the three sonatas for viola da gamba and ‘obbligato’ harpsichord BWV 1027 in G major, BWV 1028 in D major and BWV 1029 in G minor, again assigned on the basis of clues to the period 1736-1741 .
Alberto Rasi - Bach: Music for Harpsichord & Viola da gamba (2019)

Alberto Rasi - Bach: Music for Harpsichord & Viola da gamba (2019)
WEB FLAC (tracks+booklet) - 345 MB | Tracks: 15 | 54:58 min
Style: Classical | Label: Stradivarius

For some time now musicology has widely reviewed the previously long held belief that Johann Sebastian Bach’s chamber output originates mostly from his Köthen period (1717-1723). Although precise dates are still lacking, various clues have led many of his works for one/two instruments and basso continuo or concertante harpsichord to be moved forward to his Leipzig years (1723-1750) and in particular to the decade 1730-1740. This group of works also includes the three sonatas for viola da gamba and ‘obbligato’ harpsichord BWV 1027 in G major, BWV 1028 in D major and BWV 1029 in G minor, again assigned on the basis of clues to the period 1736-1741.

J.S. Bach: Minuet in G Major BWV Anh. 114, Experts Execution  eBooks & eLearning

Posted by ELK1nG at Dec. 14, 2021
J.S. Bach: Minuet in G Major BWV Anh. 114, Experts Execution

J.S. Bach: Minuet in G Major BWV Anh. 114, Experts Execution
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 932 MB | Duration: 45m

Learn how to play a basic classical piano repertoire piece for early-begginers.
Eugen Jochum, Kurt Redel - Johann Sebastian Bach: Mass In B minor, BWV 232 & Mass In F, BWV 233 (1993) 2CDs

Johann Sebastian Bach: Mass In B minor, BWV 232 & Mass In F, BWV 233 (1993) 2CD
Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, conducted by Eugen Jochum
Munich Pro Arte Orchestra, Lausanne Pro Arte Chorus, conducted by Kurt Redel

EAC | FLAC | Image (Cue&Log) ~ 744 Mb | Mp3 (CBR320) ~ 360 Mb | Scans included
Genre: Classical, Choral, Sacred | Label: Philips | # 438 739-2 | Time: 02:33:06

Mass in B Minor, conducted by Eugen Jochum, 1957. Mass in F conducted by Kurt Redel, 1965. This compilation 1993.
The Sixteen & Harry Christophers - Vivaldi: Gloria in D Major, RV 589 - J.S. Bach: Mass in G Major, BWV 236 (2018)

The Sixteen & Harry Christophers - Vivaldi: Gloria in D Major, RV 589 - J.S. Bach: Mass in G Major, BWV 236 (2018)
Classical, Choral | WEB FLAC (tracks) & d. booklet | 327 MB
Label: CORO | Tracks: 20 | Time: 70:36 min

Vivaldi's Gloria is one of sacred musics most uplifting choral works and a joyful hymn of praise with moments ranging from festive brilliance to profound sadness. Composed in Venice, probably in 1715, for the choir of the Ospedale della Pietà, its wonderfully sunny nature and distinctive melodies and rhythms give it an immediate and universal appeal. Bach was a fierce admirer of Vivaldi's work, and his extraordinarily inventive Mass in G major complements the Gloria perfectly.

Johann Sebastian Bach’s St. John Passion (Bwv 245): A Theological Commentary  eBooks & eLearning

Posted by Jeembo at Oct. 8, 2018
Johann Sebastian Bach’s St. John Passion (Bwv 245): A Theological Commentary

Johann Sebastian Bach’s St. John Passion (Bwv 245): A Theological Commentary by Andreas Loewe
English | 2014 | ISBN: 9004265473 | 330 Pages | PDF | 8.2 MB

This Theological Commentary is the first full-length work in English to consider Johann Sebastian Bach's St John Passion in its entirety, both the words and the music.