Johanna Demker

Movements; three suites each with seven movements. In her intriguing new album, viola da gambist Johanna Rose places a prelude by Sainte-Colombe (father) in front of the six movement Bach suite in D minor and finished the D major Bach suite with a chaconne by Sainte- Colombe. The third ‘suite’ is an all family affair with music by both father and son, fashioned into a suite by Rose.

Johanna Martzy (1924-1979) became a cult figure on the basis of a handful of recordings – but only after her premature death, an event that passed almost unnoticed. The meteoric career of this distinguished ambassadress of the Hungarian violin school in no way foretold her posthumous idolisation. And yet her historic recordings of the Bach Sonatas and Partitas and stunning readings of Schubert’s complete works for violin and piano, together with a few first-class concerto discs, make up a legacy whose scarcity has driven prices sky high. At last, collectors can stop trying to outbid one another: remastered in high definition from the original tapes, this priceless treasure trove is now available to all.

Before the great conductor Ferenc Fricsay died (tragically young at the age of 48 in 1963), he made dozens of brilliant mono and stereo recordings for Deutsche Grammophon. Many of his most significant recordings have been released on CD, though some have already drifted out-of-print (Bartok's Concerto for Orchestra, Mozart Syms 29, 39-41 and Beethoven Syms 3, 5 & 7) and others are only available as expensive imports. This past year there has even been a limited edition boxed set of his music released (in the "Original Masters" series – see my review).

In this era of homogenized classical collections, it is great to see Testament rescue gems from the vaults of labels like EMI and reissue them on CD. This title presents the great violin virtuoso Johanna Martzy performing Concertos by Mendelssohn and Brahms. Both Concertos feature Paul Kletzki conducting the Philharmonia Orchestra, and both recordings are in mono, the Brahms from 1954 and the Mendelssohn the following year. These performances are first-rate, yet I am withholding a fifth star, despite the fact that I love Kletzki and am becoming a big fan of Martzy.

The Art in Music – Siggi Loch has had the clear objective to foster creative interaction between jazz and visual art ever since he founded ACT in 1992. As a producer who is also an art collector, he loves to bring not only topflight musicians together around him, but visual artists as well. Works by Philip Taaffe, Gerhard Richter, Martin Noël, Martin Assig and many more don’t just adorn album covers, they are also on display at the ACT Gallery in Berlin.