John Lewis, a founding member of the Modern Jazz Quartet (and architect, with Gunther Schuller, of the "Third Stream" movement that attempted a fusion of classical music and jazz), has always been known for the delicacy and refinement of his playing and for the quality of his compositions. This solo album will only add to his reputation in both regards. That he's able to make "Sweet Georgia Brown" sound like a recital piece is testament to his sophistication (and perhaps his sense of humor); that his own "Two Degrees East, Three Degrees West" manages to evoke New Orleans and Ravel simultaneously speaks to the depth of his musicianship. "Django," perhaps Lewis' most famous composition, is given a stop-action tango treatment here, and his "At the Horse Show" is as graceful as a colt.
John Storgårds’s acclaimed series of Shostakovich symphonies continues with this recording of Symphony No. 13. The BBC Philharmonic is joined by the bass-baritone Albert Dohmen and the Estonian National Male Choir. The symphony, subtitled ‘Babiy Yar’, caused a great deal of tension and controversy in the lead-up to its première, in December 1962 – not because of the music, but the poetry. Shostakovich had chosen to set Yevgeny Yevtushenko’s Babiy Yar. Ostensibly an outraged response to the lack of a memorial for the thousands of Jews murdered by the Nazis and dumped in a ravine near Kyiv, the poem implicitly criticised the anti-Semitism then still rife in the Soviet Union.
This is one of pianist John Lewis' most rewarding albums outside of his work with the Modern Jazz Quartet. Three numbers (including a remake of "Two Degrees East, Three Degrees West") showcase his piano in a quartet with guitarist Jim Hall, bassist George Duvivier, and drummer Connie Kay. A 15-and-a-half-minute rendition of "Body and Soul" has one of tenor saxophonist Paul Gonsalves' finest solos, while "Afternoon in Paris" features a diverse cast with trumpeter Herb Pomeroy, Gunther Schuller on French horn, tenor man Benny Golson, baritonist Jimmy Giuffre, and guitarist Jim Hall; altoist Eric Dolphy cuts everyone.
One of the less interesting John Lewis "third-stream" projects, this LP features Lewis' "Music for Brass." Six of his originals (four songs from his ballet "The Comedy," "Odds Against Tomorrow" and "The Golden Striker") plus four brief "Fanfares" are performed by four trumpets, two trombones, four French horns, a tuba and Lewis' trio.
John’s Children were the quintessential cult 60s Mod/Psych band, controversial, sharply dressed and subsequently the stuff of legend. The band were fronted by Andy Ellison (later with Jet and Radio Stars) and boasted Marc Bolan within their ranks during their short life. "A Strange Affair" - for the first time - boasts the entire John’s Children output between 1966 and 1970.
The package includes: Two singles for EMI’s Columbia label: ‘The Love I Thought I’d Found’ and ‘Just What You Want - Just What You Get’. Four singles for The Who’s label Track Records: ‘Desdemona’, the legendarily withdrawn ‘Midsummer Night's Scene’, ‘Come And Play With Me In The Garden’ and ‘Go-Go Girl’…