John Carpenter's Cigarette Burns (2005)

Guitarist/vocalist John Pizzarelli returns with another solid collection of tastefully swinging standards on Knowing You. Never straying too far from what he does best, Pizzarelli is nonetheless an exciting improviser and pleasing vocalist who always finds a way to make an old chestnut of a tune his own. Here, his rapport with such longtime bandmates as pianist Ray Kennedy, bassist Martin Pizzarelli, and drummer Tony Tedesco is instinctual, full of humor, and filled with call-and-response interplay. To these ends, Pizzarelli has compiled an enjoyable set of well- and lesser-known standards, including the sprightly swinger "Coffee, Black," the elegantly mellow "The Shadow of Your Smile," and the sweetly unexpected Brian Wilson classic "God Only Knows."

Elton John's Christmas Party is a Christmas-themed compilation album from British singer-songwriter Elton John. It features his 1973 Christmas single, "Step into Christmas", and a new duet with Joss Stone, "Calling It Christmas". According to John's introduction in the liner notes, as opposed to doing an album of his versions of already famous songs, he chose to do a compilation with some of his favorite holiday songs by other artists…

Suspended Animation is the first studio album by Dream Theater guitarist John Petrucci, released independently in 2005 through Sound Mind Music.
Suspended Animation is a decent album that exhibits Petrucci composing skills and technique in a very respectable manner. This is a definitely recommended album for fans of instrumental music, shredding albums or the casual Dream Theater's fans. Petrucci showcase a lot of his shredding abilities in this album, but he doesn't forget to do it in the form of sophisticated progressive compositions, and that's what's good about this album.

Hammond's debut recording from 1964 - much of which remains in his live repertoire to this day.
John Hammond, Jr. is one of a handful of white blues musicians who was on the scene at the beginning of the first blues renaissance of the mid-'60s. That revival, brought on by renewed interest in folk music around the U.S., brought about career boosts for many of the great classic blues players, including Mississippi John Hurt, Rev. Gary Davis, and Skip James. Some critics have described Hammond as a white Robert Johnson, and Hammond does justice to classic blues by combining powerful guitar and harmonica playing with expressive vocals and a dignified stage presence. Within the first decade of his career as a performer, Hammond began crafting a niche for himself that is completely his own: the solo guitar man, harmonica slung in a rack around his neck, reinterpreting classic blues songs from the 1930s, '40s, and '50s…

Guitarist John Scofield's debut as a leader was originally cut for the Japanese Trio label. Scofield's sound was already pretty recognizable this early in his career, although his playing was more funk-oriented than it would become. Scofield is teamed with bassist Clint Houston, drummer Motohiko Hino and (on two of the six selections) trumpeter Terumasa Hino. "Amy" is taken as an unaccompanied guitar solo, which gives the date a bit more variety. The music still sounds pretty strong over four decades later, although for John Scofield, there would be many more steps forward in his future development.

Hammond's debut recording from 1964 - much of which remains in his live repertoire to this day.
John Hammond, Jr. is one of a handful of white blues musicians who was on the scene at the beginning of the first blues renaissance of the mid-'60s. That revival, brought on by renewed interest in folk music around the U.S., brought about career boosts for many of the great classic blues players, including Mississippi John Hurt, Rev. Gary Davis, and Skip James. Some critics have described Hammond as a white Robert Johnson, and Hammond does justice to classic blues by combining powerful guitar and harmonica playing with expressive vocals and a dignified stage presence. Within the first decade of his career as a performer, Hammond began crafting a niche for himself that is completely his own: the solo guitar man, harmonica slung in a rack around his neck, reinterpreting classic blues songs from the 1930s, '40s, and '50s…