John Deere Service Advisor 4.01.11 (2013)

Murray Perahia is a master interpreter of Beethoven. Here are his recordings of three Piano Sonatas that prompted the Penguin Guide to proclaim Perhaia “an authoritative and sensitive interpreter of Beethoven”. His release has long been awaited after almost 30 years of the original LP release. The results are of predictable excelency,as most of Perahia"s recordings: Taste,great technique and an ever improving maturity.

For a good portion of his solo career, John Fogerty refused to play any of his old Creedence Clearwater Revival songs – not because he hated them but because he was tied up in a nasty legal battle with Saul Zaentz, the head of his former record label Fantasy. After a few decades, Fogerty's position softened and he started playing the tunes in concert, then, after Concord purchased Fantasy in 2004, he celebrated CCR, first with a new hits compilation combining his old band and solo work, then eventually working his way around to Wrote a Song for Everyone, a 2013 album where he revisits many of his most popular songs with a little help from his superstar friends.

Hiatt's fifth album and his first for Geffen, his third record label, was given a somewhat inappropriate big-gloss production (all shimmering keyboards and filtered vocals) by Tony Visconti, known for his work with David Bowie. What counts with Hiatt, though, is the songs, and this album contains "I Look for Love," as knowing a dissection of the dating scene as anyone has yet attempted.

John Hiatt's talents as a singer and songwriter have never been a matter of question, but for the longest time neither Hiatt nor his various record labels seemed to know what to do with him. Epic Records thought he was some sort of a folky, while MCA figured, since his songs were often cranky and angular, he could be sold as a skinny-tie new wave guy…

Bay City Rollers were a pop phenomenon in the mid-'70s, taking their money-in-the-bank mix of good looks, pop hooks, and just a dash of rock & roll danger from their native Scotland to the rest of Great Britain and then North America. The Rollers' biggest hits ("Bye, Bye, Baby," "Give a Little Love," "Saturday Night") were pure bubblegum in the tradition of the Partridge Family and Ohio Express…

Stefano Scodanibbio (1956-2012) was a musician active on many fronts. As an innovative virtuoso bassist and a pioneer of extended technique for his instrument he collaborated with composers including Luigi Nono, Iannis Xenakis, John Cage, Brian Ferneyhough and Terry Riley, inspiring each of them to new works. With Riley, with Markus Stockhausen and with others, he gave concerts of improvised music. He founded the Rassegna di Nuova Musica Festival in Macerata, his Italian hometown, and directed it for more than 30 years. He taught master classes from Darmstadt to Stanford. And as a composer his works for strings, for contrabass in particular were heard around the world: they were challenging pieces which – as Irvine Arditi wryly notes – avoided “traditional avant-garde trends”.

Who would've thought Tubular Bells, a 49-minute prog symphony, could kickstart the career of a famous billionaire? This 40th birthday celebration of Richard Branson's baby spans two discs (plus a six-track bonus disc), and at its very heart there is, as the liner notes state, "a desire to challenge conceptions and be risk-takers". Post-1977, the danger appears to have petered out – in fact there's something a little Jeremy Clarkson about this drivetime-pop pick'n'mix. But there is always that lustrous Virgin sheen, a cinematic ostentation to the music – from Phil Collins' In the Air Tonight through Massive Attack's Unfinished Sympathy to Air's Sexy Boy. Its latter half – the economy-saving Emeli Sandé, the new EDM overlords – does prompt the question: will we be listening to Deadmau5 in 40 years? Probably not. But will Virgin still be releasing hit records? Absolutely yes.