A live DVD featuring the Godfather of Blues, John Mayall, here backed by fine musicians like Coco Montoya and the extraordinary Walter Trout.
As the elder statesman of British blues, it is John Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band, the Bluesbreakers, acted as a finishing school for the leading British blues-rock musicians of the era. Guitarists Eric Clapton, Peter Green, and Mick Taylor joined his band in a remarkable succession in the mid-'60s, honing their chops with Mayall before going on to join Cream, Fleetwood Mac, and the Rolling Stones, respectively.
Celebrated for his vivid orchestral pieces and effective scores for such films as Altered States and The Red Violin, John Corigliano is somewhat less renowned for his chamber music and keyboard oeuvre. Yet his international career took off with the premiere of his Sonata for violin and piano (1963), and he has periodically composed important works for piano, all of which show the same expertise and originality displayed in his major concert works. These sophisticated but highly entertaining pieces are not insufficiently recorded, but they are usually scattered about on CDs with other composers' works, so it is good to find them together on this 2006 Black Box release, in lively performances and recorded with fine sound. Violinist Corey Cerovsek and pianist Andrew Russo deliver what is probably the most engaging and accessible performance of the program in the sonata, a neo-Classical work that evokes the Americana style of Copland as well as the academic counterpoint of Hindemith.
The Scorpions belong to the oldest land-based arachnides with over 1800 different species known to exist. Usually, they do not surpass the size of 10cm in length, but exceptions are know, such as the Emperor Scorpion (Pandinus imperator) which can grow up to become over 20cm in size. Scorpions are mostly active at night and hide away during the day. Take a look into the live of these amazing creatures!
As John Coltrane moved from music rich in chordal complexity to a newer, freer form of modality–in which melodic and rhythmic freedom came to the fore–some critics couldn't make the imaginative leap. But no one could ever question Coltrane's superb musicianship. This all-star session isn't merely an aesthetic bone to these critics, but a superb example of two masters blowing relaxed and free over a tight, intuitive rhythm section. There's Jackson's Modern Jazz Quartet collaborator Connie Kay on drums, master of understated swing; the elegant, eternally tasteful Hank Jones on piano; and Mr. P.C., Paul Chambers, one of the fathers of modern bass playing.
Frank Sinatra, though not a jazz singer, was long respected by jazz musicians for his natural ability to get the best out of a song while developing a trademark approach to singing that had great appeal. While many recorded tributes to Sinatra since his death have been abysmal at best, vocalist and guitarist John Pizzarelli knows a little something about swinging and finding the essence of each song. Backed by the Clayton-Hamilton Jazz Orchestra, with whom Pizzarelli toured prior to the making of this CD, along with arrangements by John Clayton, Don Sebesky, Dick Lieb, and Quincy Jones, he sought to focus primarily on songs written with Sinatra in mind, though taking new approaches to each of them.