John Harrison

Playing in front of an invited studio audience, Dr. John is featured with a full-scale jazz ensemble on this 1991 session Funky New Orleans. Alto saxophonist Donald Harrison Jr. is the leader of the date, which allows Dr. John to concentrate not only on piano and vocals but also his guitar playing. A hand full of Mac Rebennack and Harrison originals are mixed with the dirty blues of "Shave em Dry" and a nod to Professor Longhair and Earl King on "Big Chief." Also, two instrumental straight-ahead jazz pieces are explored on "Hu-Ta-Nay" and "Walkin Home." This really isn't a Dr. John recording as much as an honest portrayal of these (mainly) New Orleans musicians in an extremely loose and funky setting. Recommended and available on the budget Metro label.

This is an enchanting CD, every item a sheer delight. Margaret Leng Tan worked with Cage in the last decade of his life and her earlier recordings (1/92; 7/95) show a special sympathy for the magical world of Cage's keyboard music. The second of her New Albion CDs included the piano solo version of The Seasons, and Cage was honest enough to admit to her that he had help from Virgil Thomson and Lou Harrison in making the orchestral version recorded here. The result is recognisably Cage at his most poetic, evoking each of the four seasons in lovely changing colours. There are two realisations of one of the last of what are called Cage's 'Number Pieces', Seventy-Four, written specially for the American Composers Orchestra a few months before his death in 1992. Several hearings have confirmed for me that this seamless garment of sustained sound in two overlapping parts is an immensely moving document from a unique human being at the very end of his life.

American Percussion Works is a rare collection of seldom heard works each with specific rules or themes as basis for the compositions. In John Cage’s First Construction the principle is based on the figure 16. Alberto Ginastera’s work Cantata para América Mágica, used pre-Columbian texts based on the conditions of human life, with war, natural phenomena, daybreak, night and love. Lou Harrison mixes non-European forms which ‘follow the pattern of having a single melodic part accompanied (or enhanced) by rhythmic percussion’ in his Koncherto. Varèse’s Ionisation also enters a new land being his first solely percussive work where ‘he finds a new grammar for the language of music’

The seven works on the disc (two each by Harry Partch, John Cage, and Lou Harrison and one by LaMonte Young) are among of the most enjoyable introductory albums to just intonation. Guitarist John Schneider, who arranged several of the pieces on the disc for harp and guitar, is joined by harpist Amy Schulman and, in one work, by percussionist Gene Sterling. Schneider's extensive and highly informative notes guide the reader painlessly through a discussion of tuning theories and the history of the pieces.