John Hollenbeck

This is the final chapter of a trilogy of albums in which I explored and arranged popular songs. The entire project was made in collaboration with vocalists Theo Bleckmann and Kate McGarry, pianist Gary Versace, and the Frankfurt Radio Big Band. For the first recording, Songs I Like A Lot, I selected the majority of the songs for the album. Many of the songs I chose were from my childhood, and as I started to really listen to them again, I was surprised by how well I actually knew them. The second recording, Songs We Like A Lot, is composed primarily of songs that Theo and Kate liked and chose for me to arrange. Uri Caine held down the piano chair on this recording. And for this third and final recording, Songs You Like A Lot, we asked listeners to nominate their favorite songs for me to arrange. We then had an internet-wide vote on a list of nominated songs, and I chose (with the help of Kate, Theo and Gary) from the top 20 most popular songs.

John Hollenbeck - The Claudia Quintet (2001) {Blueshift–CRI CD2004}
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© 2001 Blueshift / Composers Recordings Inc. | CD2004
Jazz / Avant-Garde Jazz / New Chamber Music / Modern Creative / Drums

Releasing three quite noteworthy CDs in as many months, drummer/composer John Hollenbeck certainly made what one might describe as an "auspicious debut" as a leader. Just consider the range of styles covered in this burst of activity. No Images, Hollenbeck's initial recording from October 2001, is the most avant-garde of the three, with drums and saxophones squaring off in free jazz territory and trombones and drums accompanying the taped voice of Dr. Martin Luther King, Jr.; Quartet Lucy, hitting the street in January 2002, reflects Hollenbeck's attraction to the austere and spacious music of the ECM label. And The Claudia Quintet (released on the very same day as Quartet Lucy), a recording of subtlety, beauty, and a fair measure of fire smoldering beneath its surface.

John Hollenbeck - No Images (2001) {Blueshift–CRI CD2002} ‎
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© 2001 Composers Recordings, Inc. / Blueshift | CD 2002
Jazz / Contemporary Jazz / Experimental / Modern Creative / Drums / Percussion

While drummer/composer John Hollenbeck chose to title his debut recording no images, what becomes clear quite quickly is that there is indeed a visual analogue to every piece on the album. In some cases the images are specific and concrete; in others they’re more impressionistic and subject to interpretation. One could even posit a visual counterpart for the two sets of completely abstract miniatures. But one of the most remarkable things about the disc – a long overdue documentation of one of New York’s most impressive contemporary musical artists (and best kept secrets) – is the sheer range and diversity of compositional strategies he employs to evoke his gallery of unseen imagery.

John Ghost is ingenious and exploratory, often described as a symbiosis between the sounds of Steve Reich, John Hollenbeck, Nils Frahm and Jaga Jazzist. Created around the Ghent guitarist and composer Jo De Geest, the Belgian sextet draw on influences from jazz, rock and post-classical music, where minimalism, electronics and a cinematic atmosphere characterize their instrumental music…

John Ghost is ingenious and exploratory, often described as a symbiosis between the sounds of Steve Reich, John Hollenbeck, Nils Frahm and Jaga Jazzist. Created around the Ghent guitarist and composer Jo De Geest, the Belgian sextet draw on influences from jazz, rock and post-classical music, where minimalism, electronics and a cinematic atmosphere characterize their instrumental music.

The Claudia Quintet - I, Claudia (2003) {Cuneiform Records ‎Rune 187}
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© 2003 Cuneiform Records ‎| Rune 187
Jazz / Avant-Garde Jazz / New Chamber Music / Modern Creative / Drums

This second release from the Claudia Quintet (and their first on the Cuneiform label) not only offers Claudia's great blend of instrumental textures from tenor sax/clarinet, vibraphone, accordion, acoustic bass, drums, and percussion, but also provides a satisfying stroll among multiple musical genres. Drummer John Hollenbeck is the group's composer, and his clever pieces move effortlessly from funky chamber jazz to minimalism (both rhythmic and ambient), with some African elements and "new music" vocabulary thrown in for good measure. A good example of Hollenbeck's eclecticism (one of many) would be the piece "…Can You Get Through This Life With a Good Heart?," which was inspired by a quote from Joni Mitchell in a PBS documentary. It opens, in Hollenbeck's words, with "the harmonic clouds and space of Morton Feldman," which eventually give way to a pensive folk melody stated by accordion and vibes.

The Claudia Quintet - For (2007) {Cuneiform Records ‎Rune 247}
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© 2007 Cuneiform Records ‎| Rune 247
Jazz / Contemporary Jazz / New Chamber Music / Modern Creative

Percussionist John Hollenbeck's Claudia Quintet belongs to a sub-genre all by itself : it combines elements of jazz, prog rock and chamber music. The band is already on its fourth album ("four"?), and always with the same line-up : Chris Speed on clarinet and sax, Matt Moran on vibes, Ted Reichman on accordion, Drew Gress on bass and Hollenbeck himself on drums. The compositions are like lightly flowing rivers, with repetitive undertones, complex interacting melodies and often changing rhythms. The overall musical effect is more important than the musician's soloing. There are solos of course, but they don't carry the weight of the performance.