John Mayall & The Bluesbreakers – European Union [live In The UK And Germany] (2020)

John Mayall has been playing blues literally for my entire lifetime and at 64 years old proves that he's still among the best. On this CD, Mayall displays the many blues attitudes of which he is capable. Lately, many of his songs decry urban decay and violence. He continues here in that vein with the hard-driving Dead City and the old Eddie Harris R&B song, How Can You Live Like That. Stone Cold Deal is a shuffle driven by saxophone, organ and drums. Its infectuous rhythm will have you dancing and its incisive lyrics will have you thinking. My other favorites are the title cut on which Mayall's prowess on the piano is showcased, One In A Million which is a rocking paean to his beloved mother, and I Don't Mind, a song in the rollicking piano-driven Southern style for which Mayall is justly famous. There isn't anything I really dislike on the album though It Ain't Safe and Some Other Day seem out of place and Trenches, though lyrically gripping, is musically weak. If you are a blues fan, you are sure to like Blues For the Lost Days, another strong effort from master bluesman John Mayall.

Somehow the grandfather of British blues still had the fire in his belly to record a strong album almost 40 years after he began his storied career. Buddy Whittington acquits himself well as the latest in a long line of hotshot guitarists for this multi-instrumentalist, who still does his best work on harmonica. He still admires long-dead bluesman J.B. Lenoir, including "Voodoo Music" here. A lot of credit for this strong outing goes to R.S. Field, lyricist and sometime producer for Webb Wilder. "Long Story Short" would pass for a Wilder tune were it not for Mayall's distinctive voice.

Eric Clapton is usually thought of as John Mayall's most important right-hand man, but the case could also be made for his successor, Peter Green. The future Fleetwood Mac founder leaves a strong stamp on his only album with the Bluesbreakers, singing a few tracks and writing a couple, including the devastating instrumental "Supernatural." Green's use of thick sustain on this track clearly pointed the way to his use of guitar riffs with elongated, slithery tones on Fleetwood Mac's "Albatross" and "Black Magic Woman," as well as anticipating some aspects of Carlos Santana's style…

Recorded live in the UK and Europe during the 2007 Power trio Tour. New Jersey-born blues-rocker Walter Trout spent decades as an ace sideman, playing guitar behind the likes of John Lee Hooker, Big Mama Thornton, and Joe Tex. In 1981, he was also tapped to replace the late Bob Hite in Canned Heat, remaining with the venerable group through the middle of the decade. While filling in one night for an ailing John Mayall, Trout (also a Bluesbreaker for some five years) was spotted by a Danish concert promoter who agreed to finance a solo tour. Assembling his own backing band, he released his debut LP in 1990, Life in the Jungle, trailed a year later by Prisoner of a Dream. Albums including 1992's Live (No More Fish Jokes), 1994's Tellin' Stories, and 1997's Positively Beale Street followed.

The Cranberries‘ second album No Need to Argue has been remastered and expanded for a double CD and 2LP vinyl release in November. Originally released in 1994, the album was the band’s commercial peak, with global sales in excess of 17 million. No Need to Argue contains the single ‘Zombie’ which topped charts across Europe (although interestingly, only peaked at 14 in the UK) and was seemingly played endlessly on MTV at the time. The two-CD deluxe features, on the first disc, a 2020 remaster of the album (“from the original tapes”), three B-sides (‘Away’, ‘I Don’t Need’ and ‘So Cold In Ireland’), a previously unreleased song ‘Yesterday’s Gone’ (which was recorded unplugged for MTV in New York in 1995), a cover of the Carpenters’ ‘(They Long To Be) Close to You’ and a remix of ‘Zombie’. The second CD in this package features nine unreleased demos and eight live tracks.

The wait is over, Joe Bonamassa’s new solo studio album Royal Tea was recorded at the legendary Abbey Road Studios. Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career but now he has found a new way to surprise his fans and music lovers. Royal Tea brings Bonamassa full-circle.