Really amazing sounds from Japanese drummer Takeo Moriyama – a record that's sometimes spiritual and organic, sometimes very unusually put-together – and which makes as much use of inventive percussion as it does the leaders drums! The group's got this very cool twin-sax approach – both tenor and soprano, each played by Toshihiko Inoue and Shuichi Enomoto – alternating between the instruments, and creating these textures that are sometimes sharp-edged, but always very striking – especially when the album's percussion from Yoji Sadanari really takes off! The whole thing almost feels a bit out of time, especially for its early 80s recording date – almost like one of those unusual Japanese spiritual sessions from a decade before, which also might not be what you're expecting from the 80s cover image too.
Pianist John Lewis, heard on vacation from the Modern Jazz Quartet, mostly plays introverted interpretations on this album. He duets with drummer Connie Kay and guitarists Barry Galbraith and Jim Hall, only using a full rhythm section (bassist Percy Heath and drummer Kay) on two of the seven selections. The thoughtful and introspective selections include four Lewis originals (best-known is "D & E") and three standards (including a tender "It Never Entered My Mind").