JSP's Shake That Thing: East Coast Blues compiles four CD's of performances by country blues pickers Gabriel Brown, Dan Pickett, and Ralph Willis. It's hard to go wrong with these 105 obscure recordings cut between 1935 and 1953. The tracks have been remastered, making the majority of this material sound great. Unlike other packages of this type, the liner notes are informative; listing personnel, dates, and concise history without going on ad nauseam. As an extra bonus this is a budget-priced set making it highly recommended, for both the collector and the blues novice
John McLaughlin Montreux Concerts Box Set contains a bounty of 17 CDs from the acclaimed jazz guitarist's all-star performances at the famous Swiss jazz festival, including performances with Carlos Santana, Paco De Lucia and his Mahavishnu Orchestra. This monumental compilation features all the artist's concerts at the Montreaux Jazz Festival spanning the years 1974 through 1999. Featuring Shakti in July 1976 & 1977 (three discs), John McLaughlin & The One Truth Band in July 1978, John McLaughlin & Chick Corea in July 1981, Mahavishnu Orchestra in July 1984 (two discs), John McLaughlin & Paco DeLucia in July 1987 (two discs), John McLaughlin & The Free Spirits in July 1993 & 1995 (three discs), John McLaughlin & The Heart Of Things in July 1998, & John McLaughlin & Remember Shakti in July 1999.
Rice Miller (or Alec or Aleck Miller – everything about this blues great is somewhat of a mystery) probably didn't need to take the name of the original Sonny Boy Williamson (John Lee Williamson) to get noticed, since in many ways he was the better musician, but Miller seemed to revel in confusion, at least when it came to biographical facts, so for whatever reason, blues history has two Sonny Boy Williamsons. Like the first Williamson, Miller was a harmonica player, but he really sounded nothing like his adopted namesake, favoring a light, soaring, almost horn-like sound on the instrument…
Nice mix of work by John Lewis, including his score for No Sun In Venice, key work with the Modern Jazz Quartet/Sextet, and the one-off Modern Jazz Society album showcasing compositions by Lewis.
In 1957, the greatest year for recorded music including modern jazz, Detroit was a hot spot, a centerpiece to many hometown heroes as well as short-term residents like John Coltrane and Miles Davis. It was here that Trane connected with pianist Tommy Flanagan, subsequently headed for the East Coast, and recorded this seminal hard bop album. In tow were fellow Detroiters - drummer Louis Hayes, bassist Doug Watkins, and guitarist Kenny Burrell, with the fine trumpeter from modern big bands Idrees Sulieman as the sixth wheel...
Features 24 bit remastering and limited edition. Release Date: December 04, 2013. The idea of the Jazztet playing arrangements by John Lewis written especially for them is intriguing. According to Gene Lees' liner notes, Art Farmer first approached Lewis about writing something for the sextet, to which the composer replied that he'd rather score an entire record. Even though the Jazztet and Lewis' own group, the Modern Jazz Quartet, are dissimilar in many ways, the marriage is a successful one.